“I know the words for elk and water. There are other Shawnee nouns as dense as koans with metaphor and meaning, but they remain inscrutable to me.” Poet Laura Da’ authors the most recent Rumpus Saturday essay, a stunning meditation on concessions made to both the body and the body politic. A member of the Eastern Shawnee Tribe of Oklahoma, Da’ is the author of Tributaries, a 2016 American Book Award winner. See also: our review of Philip Meyer’s latest novel, The Son.
Thanks to the Yale Open Courses program, you can watch all 26 of Amy Hungerford’s lectures on “The American Novel Since 1945.” Also from the program, I highly recommend checking out John Rogers’ series of lectures on John Milton and Paradise Lost, as well as Paul H. Fry’s “Introduction to the Theory of Literature.”
“Storytelling, she added, is a central part of Native American life, and, inevitably an obsessive part of hers. ‘It’s probably the most selfish thing I do,’ she said. ‘Truly. I don’t do it for anyone else. I do it because I have the addict’s need to get lost in the story.’” Louise Erdrich discusses her new novel LaRose.
It’s hard to write when the internet beckons. So has said Dani Shapiro and our own Emily St. John Mandel. Colson Whitehead doesn’t necessarily agree, however. Ditto for our own Kevin Hartnett. Now the folks at Electric Literature have thrown in their two cents.
Among Jorge Luis Borges’s observations about soccer were the following: “Soccer is popular because stupidity is popular;” soccer is “aesthetically ugly;” and “soccer is one of England’s biggest crimes.” That is to say: his distaste is well documented. But why did he feel this way? Millions contributor Shaj Mathew takes a look.
“That no-way-out is really the difference between boys and girls in working-class culture, because a working-class boy could run, or could when I was growing up.” Guernica interviews Dorothy Allison about literature as glory; survival, opportunity, and gender; and working-class heroes vs. heroines. For your reading consideration: Bill Morris‘s essay on the riches of “white trash” literature.
In the Times Book Review, Year in Reading alum and Edinburgh author Alexander Chee reviews Everything I Never Told You by Celeste Ng, a Millions contributor. He describes the book as, among other things, a departure from your average literary thriller: “If we know this story, we haven’t seen it yet in American fiction, not until now.”