Over at Lit Hub, Paul Holdengraber interviews Tracy K. Smith about parenting, loving books, and identity. Pair with Sophia Nguyen’s Millions review of Smith’s new memoir, Ordinary Light.
So Many Rooms Within a Self
From Abkhazia to Zimbabwe
“[W]e can confirm that there is no place on Earth (not even Antarctica) that literature isn’t written.” Michael Barron, the U.S. literary editor for Culture Trip, curates “The Global Anthology,” an online project showcasing more than 220 pieces of literature from all over the world written in or translated into English (via Moby Lives).
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Survival of the Sleek in Publishing
In today’s NY Times, former Simon & Schuster executive Joni Evans ruminates on the Darwinian transformation of publishing, from tactile and sensory (paper and fountain-pen stains and typewriter bells) to e-everything (bidding wars and clean desks); she herself picked flight over fight.
Science Writing That Goes Down Smooth
I’ve long evangelized Mary Roach’s writing because she has such a knack for conveying extremely complicated information in an incredibly entertaining way. (See also: Susan Casey and Michael Lewis.) From cadavers to space travel, she focuses on our world’s most natural curiosities – and now she’s diving into perhaps the most natural curiosity of all: digestion. In her new book, Gulp: Adventures on the Alimentary Canal, Roach takes readers on a journey through their own gullets. To get a brief idea, check out the book trailer. (It’s very “Innerspace”)
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The Book in 2100
Lots of publications — The Millions included — have tackled the differences between reading e-books and physical books. It’s hard to know just what these differences mean for the future of literature. In the Chicago Tribune, John Warner proposes a novel argument (registration required) for why physical books will live on.
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With One Eye Squinted
“I can with one eye squinted take it all as a blessing.” The New Yorker reports on “Flannery O’Connor‘s Manhattan Memorial” and pitch-perfect quotation.
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Old Favorites
Looking for more thoughts on My Life in Middlemarch to supplement today’s interview? At Salon, Laura Miller reviews Rebecca Mead’s book, which she calls a “moving demonstration” of Middlemarch’s power. (You could also read Adelle Waldman’s Year in Reading piece about the novel.)
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The Art of the Recommendation
Laura Miller at Salon reports on the fine art of recommending books – “too delicate a task to leave to e-commerce robots” – and the literary types who are now stepping in to offer their advice.
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