What Makes the Pages Turn?
The Story Writer and His Writer Friend
Beautiful Ruins author (and Year in Reading favorite) Jess Walter describes “the genesis of a story.”
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“Happy memories pass in slow procession over the soul”
Eldritch Press, which has a whole slew of free books available online, has just added the Constance Garnett translation of Ivan Turgenev’s A Hunter’s Sketches. Happy reading, everybody.
#Beowulf
Medievalist Elaine Treharne teaches a course on Beowulf at Stanford, and one of her primary theoretical questions for her students is, “What is (the) Text? … What constitutes Beowulf?” So she got to thinking. She wondered what she and her students would do “with a social media version of the poem.” What ensued is a distillation of the great epic in 100 tweets, which you can read over here.
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A Lust for Lists
“Why do we lust for lists?” Sandra M. Gilbert may not have an answer, but she does have a response to all those “100 Best American Novels” lists (and a list of her own). The Millions has a few lists too, of course – be sure to check out Janet Potter‘s “28 Books You Should Read If You Want To.”
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Pulp and Not
Is “literary” fiction just a product of clever marketing? Elizabeth Edmondson thinks it is. At The Guardian, she argues that classically literary authors like Jane Austen had no idea they were writing Literature — posterity classified their work as such later on. Her essay dovetails nicely with our own Edan Lepucki’s argument that literature is a genre.
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It Never Leaves You
The English major is more than just a common course of study, friends. The English major is a way of life. (via Arts and Letters Daily)
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Rereading Dostoevsky
David Denby wonders: After nearly 150 years have passed since its initial publication and countless imitators have blunted its artistic radicalism does Dostoevsky’s Notes from the Underground still pack a punch? For more contemporary readings of Dostoevsky, see Rob Goodman’s recent article on forensics, The Brothers Karamazov and the death of the courtroom drama.
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