Robert Birnbaum interviews Cynthia Ozick at The Morning News. “Fiction shouldn’t say something, it should make you feel.” If you want to read more from Ozick, check out our interview with her.
Make You Feel
Graffiti Lit
When street art and literature combine: on “The Moving, Playful Poetry of the World’s Textual Graffiti Artists,” from Slate.
●
●
The Wright Kind of Mess
In her review of Joe Wright’s cinematic adaptation for Leo Tolstoy’s Anna Karenina, Amanda Shubert writes, “Anna Karenina (2012) is, in fact, a mess. But it’s the kind of mess probably only Wright could make.” She goes on to look at how Wright has adapted work by Jane Austen and Ian McEwan, and how he has continued to face the problem of representing literary style (and form) on the screen.
Please, Please, Please, Let Charles Dickens Get What He Wants
Charles Dickens becomes an honorary member of The Smiths in BBC’s Horrible Histories music video. My favorite lyric: “Whilst writing Edwin Drood, a train crash didn’t help my mood.”
●
●
A Memory, Deconstructed
In Johns Hopkins Magazine, a remembrance of the Languages of Criticism and Sciences of Man Symposium, which brought together Jacques Lacan, Roland Barthes and Jacques Derrida, among others. About Derrida, Professor Richard Macksey (whose library you may have seen) recalls: “I’m not sure we were clear about where this guy was going.”
●
●
Decenter and Frisk
According to Gilles Deleuze, “the lives of philosophers are rarely interesting.” This may have come as a surprise to Jacques Derrida, who once spent a couple days in jail after cops in the Prague airport tried to frame him for smuggling weed. (This incident gets ample coverage in a new biography of the scholar).
●
●
Who She’s Writing For
Dispatch From the Future and The Fallback Plan author Leigh Stein explains that she is writing her forthcoming memoir, Land of Enchantment, for “everyone who’s been to more funerals than weddings, everyone who lurks on the Internet late at night looking at pictures of their lost loves, everyone who cries when a certain song comes on the radio because they think it must be a sign.”
Where the Wild Things Are
“After breaking down the data by neighborhood and age group, it became clear: Children’s books are a rarity in high-poverty urban communities. The likelihood that a parent could find a book for purchase in these areas ‘is very slim.’” On book deserts across America.