“Art isn’t a footrace. No one comes in first place. Greatness is not a universally agreed-upon value. … America isn’t one story. It’s a layered and diverse array of identities, individual and collective, forged on contradictory realities that are imbued with and denied privilege and power. Our obsession with the Great American Novel is perhaps evidence of the even greater truth that it’s impossible for one to exist. As Americans, we keep looking anyway.” Cheryl Strayed and Adam Kirsch discuss the Great American Novel in this week’s New York Times Bookends. For a slightly different take, consider the 9 novels our experts chose as the Greatest American novels, from Moby-Dick to The Godfather.
“A dark and insane fantasy about the players large and small who populated our post-9/11 landscape, it’s not just the book we’ve maybe wanted but possibly the book we’ve needed — a strange lens to help us understand who we were, what we’ve done and who we may yet become.” Nathan Deuel reviews Mark Doten‘s The Infernal (which Adam Fleming Petty reviewed for the Millions here) for the LA Times.
Articles lamenting the supposed death of reading tend to include a gripe that we now spend too much time on the Internet. However, as those of you who read a lot of books and live partially on the Internet are aware, the two activities aren’t mutually exclusive. NPR’s Morning Edition has a new story (which includes our own Janet Potter discussing her rewriting of classic novel titles as click-bait headlines) about the intersection between the lit world and the meme world.
Because its administrators believe “self-publishing is now a highly successful and respected business model for both new and established authors,” The University of Central Lancashire has created a Self-Publishing Masters program. (Clearly they didn’t read Edan Lepucki’s Millions article from 2011.) According to the program’s official website, “this dynamic course … reveals how to make self-publishing work for you.”