When street art and literature combine: on “The Moving, Playful Poetry of the World’s Textual Graffiti Artists,” from Slate.
In her review of Joe Wright’s cinematic adaptation for Leo Tolstoy’s Anna Karenina, Amanda Shubert writes, “Anna Karenina (2012) is, in fact, a mess. But it’s the kind of mess probably only Wright could make.” She goes on to look at how Wright has adapted work by Jane Austen and Ian McEwan, and how he has continued to face the problem of representing literary style (and form) on the screen.
In Johns Hopkins Magazine, a remembrance of the Languages of Criticism and Sciences of Man Symposium, which brought together Jacques Lacan, Roland Barthes and Jacques Derrida, among others. About Derrida, Professor Richard Macksey (whose library you may have seen) recalls: “I’m not sure we were clear about where this guy was going.”
According to Gilles Deleuze, “the lives of philosophers are rarely interesting.” This may have come as a surprise to Jacques Derrida, who once spent a couple days in jail after cops in the Prague airport tried to frame him for smuggling weed. (This incident gets ample coverage in a new biography of the scholar).
Dispatch From the Future and The Fallback Plan author Leigh Stein explains that she is writing her forthcoming memoir, Land of Enchantment, for “everyone who’s been to more funerals than weddings, everyone who lurks on the Internet late at night looking at pictures of their lost loves, everyone who cries when a certain song comes on the radio because they think it must be a sign.”