Robert Birnbaum interviews Cynthia Ozick at The Morning News. “Fiction shouldn’t say something, it should make you feel.” If you want to read more from Ozick, check out our interview with her.
Make You Feel
Eating with Proust
“In fact, the lack of action in the food memoir can be compensated with narrative and theme.” Angshuman Das writes on the food memoir at Ploughshares. Pair with a piece from our own Hannah Gersen on Proust’s Habit and the gluten-free diet.
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Never Before Seen
The world’s oldest multicolor print book has just been opened for the very first time, and what does one do with a never-before-seen artistic treasure? Scan and upload it to the internet, of course.
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The New VC
In Wayde Compton’s The Outer Harbour, a series of short stories take the reader from the present day to 2025, exploring a near-future Vancouver in which things grow steadily more surreal. As Emily Oppenheimer writes, it’s clearly a work of speculative fiction, yet the setting resembles our own world in uncanny ways. Sample quote: “Compton achieves the more troubling, yet ultimately more satisfying, goal of portraying the fantastical as something that is very much rooted in what we think we already know about ourselves and our world.”
An Unwelcome Invitation for László Krasznahorkai
You can read the entire first chapter from László Krasznahorkai’s latest novel, Seiobo There Below. We reviewed the work on our site last month. Meanwhile, the Hungarian author has recently received an unwelcome invitation. As literary scholar Tibor Keresztúry notes (via George Szirtes’s translation), “a certain G Fodor Gábor, the strategic director of the Századvég (Century’s End) Foundation … suggests that [Krasznahorkai] should shoot himself in the head.”
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All That
Last week, I pointed readers to a speech by the late James Salter, reprinted by The Paris Review Daily in tribute to the writer after his death. For a fan appreciation, you can read Kevin Lincoln in Hazlitt, who leads his piece with the observation that Salter “wrote sentences you could unfold into paper lanterns.” Pair with our own Sonya Chung’s review of Salter’s All That Is.
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