“We live, in short, with local exceptions, in a dissociated world held together by fragile links of utility and self-promotion underpinned by laws of mutual advantage—a materialist ethos and cosmos that cannot but influence cultural representations and, hence, art, including poetry.” On John Donne and the humanity in art.
A Dissociated World
W.S. Merwin, Surrounded by Green
A. Hope Jahren remembers W.S. Merwin with an evocative description of visiting the Merwin Conservancy, an island filled with trees Merwin planted himself.
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Tom Stoppard on life, work, and fly-fishing
Tom Stoppard, recently tasked with writing the screenplays for the new Anna Karenina (six minutes of which can be watched here) and Parade’s End film and television adaptations, speaks at length with Victoria Glendinning about his life and work. At 75 years old, the playwright is hardly slowing down.
Sick and Wrong
Recommended Reading: Dan Kois on his favorite books of the year. On Alissa Nutting’s Tampa, he writes: “Tampa mixes deadpan social satire, lurid true-crime storytelling, and out-and-out porn into a poisonous stew.”
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Poignant Sci-Fi Variety Hour
In the early ‘70s, Kurt Vonnegut helped produce a TV adaptation of his work, Between Time and Timbuktu, that aired on the public TV program NET Playhouse. The adaptation brought together elements from several of the author’s most famous works, including Sirens of Titan, Cat’s Cradle and “Harrison Bergeron.” At Black Balloon Publishing’s blog, you can find YouTube clips and links to the printed script. (Related: our own Lydia Kiesling read Vonnegut’s Letters.) (h/t The Rumpus)
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