Recommended Listening: Poet Rachel Zucker speaks with Erika Meitner about straight-forward poetics and poetry as a tool for social justice.
It’s rare that you find someone as eclectic as William Boyd. Not only did the British writer’s new play (based on two of Chekhov’s short stories) debut in London this week, his upcoming novel will star none other than James Bond. (If you’re wondering, his friend Daniel Craig is not how he pictures the superspy.)
“Not infrequently I unravelled what I had done, continuously tormented by scruples that were taking tighter hold and steadily paralysing me. These scruples concerned not only the subject of my narrative, which I felt I could not do justice to, no matter what approach I tried, but also the entire questionable business of writing.” On W.G Sebald and unsatisfactory communication from The Nation.
Everybody lies, or so the saying goes. But how long have we known this was true? At Slate, Katy Waldman reviews a new history of lying, delving into the knotty philosophy behind efforts to excuse deceit. You could also read our own Edan Lepucki and Janet Potter on deceit as it pertains to Gone Girl.
With the erosion of the 175-year-old Times-Picayune, New Orleans will soon be one of the largest metro areas without its own major newspaper publishing every day. Over at The Atlantic, Emily Badger explains the sad saga of its demise as well as the complexities and uncertainties yet to come.
Anyone who cares about the financial viability of the book business should read Author’s Guild President Scott Turow’s open letter on the implications of the government’s threatened anti-trust suit against major publishers and Apple over alleged collusion in e-book pricing.