Recommended Listening: Poet Rachel Zucker speaks with Erika Meitner about straight-forward poetics and poetry as a tool for social justice.
“Vivian Lee is the kind of editor you want on your team: a writer at heart who understands the sometimes painful creative process, a fierce advocate when it comes to supporting her authors, and always at the ready with a hilarious tweet up her sleeve.” Check out an interview with Lee at The Rumpus. You could also read a piece in which a few editors share their experiences with their first acquisitions.
Among the recommendations and rules listed in the CIA’s official style guide: favor the active voice; keep sentences and paragraphs short; boats should not be referred to with gendered pronouns; and the “w” in “Vietnam war” should be lower case because war wasn’t officially declared.
"It comprises 10 short stories written by Iraqis, all of whom were guided by a simple yet fertile premise: What might Iraq look like a century from now?" The Atlantic review's Tor's anthology Iraq + 100 (originally published last year by Comma Press in England), which was released stateside last month—in an attempt to bring visibility to an underrepresented group of writers in America. Read The Millions' review of the "ambitious short story collection" from March.
"Good TV is not merely good TV (i.e. better-than-average TV), but TV that is so good it deserves to be taken as seriously as great films and even great Literature (yes, with a capital 'L'). As such, watching Good TV and discussing Good TV are qualitatively different than watching and talking about other kinds of TV. The emergence of Good TV is a rather big deal in the recent history of American culture. It may well be one of the top two or three cultural developments of this still-young century." Todd Hasak-Lowy dissects the TV revolution. (Pair with: our own Michael Bourne on the new age of cable and Broadway.) (h/t The Rumpus)