Exciting news: Jill Soloway (Transparent) is adapting Chris Kraus’s I Love Dick for Amazon. You could also check out Kraus’s Year in Reading.
Kraus on Amazon
Order Some Donuts
Next week marks the release of Jordan Ferguson’s 33 1/3 book on Donuts, J Dilla’s legendary instrumental hip-hop album. Over at Stones Throw, you can dive into an excerpt. I recommend doing so while bumping “Last Donut of the Night” in the background.
●
●
Zadie Smith’s Big Week
Oh, look, the Paris Review freed Zadie Smith’s “Big Week” from the clutches of their paywall. (Bonus: you can subscribe to a dual subscription to both the Paris Review and the London Review of Books all summer long.)
Miami’s Sackner Archive of Concrete and Visual Poetry
The Miami Herald put together a nice video overview of the Pérez Art Museum’s Sackner Archive of Concrete and Visual Poetry.
●
●
UC Press suspends New California Poetry series
Alison Mudditt, director of The University of California Press, has announced the suspension of the New California Poetry series due to state budget cuts and the challenges posed to “our industry and markets which (not unlike the newspaper industry!) require us to rethink and retool to remain a vibrant and relevant voice in the digital age.”
●
●
Kai and Uncle Ruslan: When Memes Go Dark
“‘It’s important to realize how the funniness in these videos [such as those featuring Kai the axe-wielding hitchhiker and Uncle Ruslan] is really close to something that’s desperately unfunny,’ says Mark O’Connell, who wrote Epic Fail: Bad Art, Viral Fame, and the History of the Worst Thing Ever.”
●
●
Remembering Gregory Rabassa
Gregory Rabassa, literary translator and professor at Queens College, died this past week. Rabassa helped introduce Gabriel García Márquez’s One Hundred Years of Solitude and Julio Cortázar’s Hopscotch, among others, to English-language readers. He was 94 years old.
●
●
Kickstarter Trumps the NEA
Kickstarter is expecting to raise more than $150 million for its users’ projects in 2012. That’s $4 million more than the “entire fiscal year 2012 budget for the National Endowment of the Arts.” Maybe it’s because the NEA is wasting all of its money on that $1.3 billion poem…
●
●
Nothing to Say
“The first section of the book inevitably ends up taking on a Rashomon-ic quality, as Sotatsu’s father, mother, brother and sister all get their say about what transpired during his time in prison, along with a prison guard who observed him. But [Jesse] Ball doesn’t let them fall into the he said-she said realm of one-note characters — these are fully fleshed-out people, whose thoughts, emotions and agendas are as real (and sometimes as contradictory) as your own.” On Silence Once Begun.