Exciting news: Jill Soloway (Transparent) is adapting Chris Kraus’s I Love Dick for Amazon. You could also check out Kraus’s Year in Reading.
Kraus on Amazon
Irish Drinking Songs for Cat Lovers
Do you love cats? Do you love Irish drinking songs? Do you love them together? Apparently, you are not alone. Marc Gunn of the Irish and Celtic Music Podcast has two parody albums devoted to this improbable marriage. Speaking for myself (in the words of the immortal Joe Turner), “I’m like a one-eyed cat, peeping in a seafood store…”
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The Humanities Ph.D.: Less Than Useless
Despair, debt, frustration, a decade in school rewarded with guaranteed joblessness. If this cocktail of woe sounds good to you, consider getting a Ph.D. in English, History, or any other humanities discipline. At the New York Times, yet another of the recent spate of articles explaining how utterly dismal the prospects of recent humanities Ph.D.s are.
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Parul Sehgal Wins NBCC Award for Excellence in Reviewing
Parul Sehgal, nonfiction editor at Publisher’s Weekly (and sister of The Millions intern Ujala Sehgal), has been awarded the National Books Critics Circle “Nona Balakian Citation for Excellence in Reviewing.” Previous winners include Joan Acocella, Ron Charles, and Sam Anderson. The award was based on her diverse portfolio of work as a reviewer, including a review of Susie Linfield’s The Cruel Radiance, a review of Stacy Schiff’s Cleopatra: A Life, and her piece on David Abram’s Becoming Animal. Congratulations!
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Science and literature
Why do we love fiction? The New York Times examines the links between science and literature: “It’s not that evolution gives us insight into fiction … but that fiction gives us insight into evolution.”
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What’s So Great?
“Diversity matters. Not only in what we look like, or what religion we practice, or in whom we love, but also in how we live our lives, including the order in which we go about things, the seasons in which we are able to create art.” Robin Black wonders “What’s So Great About Young Writers?” in a piece for the New York Times. Pair with our own series celebrating writers who got their start after 40.
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Celebrating, Not Sanitizing, Complicated Women Writers
“Somehow, in my eagerness to honor these words, I’d tamed the political intentions behind their meaning. I’d reduced my icon’s truths into affirmational pick-me-ups rather than letting them sink deeper.” Dianca Potts reflects on how to best to appreciate the fullness of Maya Angelou, Audre Lorde and Toni Morrison. We need to resist erasing their complexities in our haste to embrace them as icons or reduce them to inspirational quotes.
Gone in the Dark
“And so the book we have available to us is not the one she intended for us to see — and to those who knew her only as the private spouse of a public figure, Michelle McNamara emerges from these pages as much of a mystery as the Golden State Killer does, gone in the dark.” In Vulture, a profile of the late true crime writer Michelle McNamara whose book, I’ll Be Gone in the Dark: One Woman’s Obsessive Search for the Golden State Killer, was published last week. From our archives: an essay on why one writer reads true crime novels.