“There is a wide range of art in the world, but there is an urgent need for art that pushes us and makes us uncomfortable because it forces us to think, to question, to give into it, to resist.” Year in Reading alum Roxane Gay writes on Internet censorship and Dennis Cooper’s now deleted blog.
The headliners this week are on the non-fiction side: Michael Pollan’s Cooked and Let’s Explore Diabetes with Owls by David Sedaris. Also new in non-fiction: Top of the Morning: Inside the Cutthroat World of Morning TV by the Times’ Brian Stelter and Daily Rituals: How Artists Work by Mason Currey. In fiction: The Humanity Project by Jean Thompson, The Pink Hotel by Anna Stothard, Paris by Edward Rutherfurd, The Golem and the Jinni by Helene Wecker, and The Enchanted Life of Adam Hope by Rhonda Riley.
The Corrections might never make it to screen, but Jonathan Franzen’s New Yorker essay on songbird poaching, “Emptying the Skies” (behind the paywall), is already a documentary. The film follows a group of bird lovers trying to save the endangered animals and even includes an interview with Franzen. Although the documentary just found a distributor, there is no word on an official release date. Until then, here’s the trailer.
Lots of new releases this week, among them a new paperback edition of Tenth of December by George Saunders. Also out: Leaving the Sea by Ben Marcus; The Radiance of Tomorrow by Ishmael Beah; On Such a Full Sea by Chang-rae Lee; The Scent of Pine by Lara Vapnyar; The Invention of Wings by Sue Monk Kidd; The Secret History of Las Vegas by Chris Abani; and Little Failure by Year in Reading alum Gary Shteyngart. For more on these and other new titles, check out our Great 2014 Book Preview.
According to a recent survey conducted by the Pew Research Center, Americans are reading fewer books than they were back in 2014. A whopping twenty-eight percent of those surveyed reported not having finished even a single book in the past year, though the average number of books read per person last year remained at fourteen. For a little more in moderation lit, here’s an essay from The Millions on reading fewer books.
“Being nominated for an award feels the way I imagine winning the lottery must feel: You’re deeply grateful and a little disoriented, you feel very lucky, and you know that it could just as easily have been someone else.” Our own Emily St. John Mandel writes about “the vast distance between literary prizes and literary work” and reading Norman Mailer for The Atlantic‘s By Heart series (which we’ve covered many, many times before).