For the Poetry Foundation blog, David Winter interviews Night Sky With Exit Wounds author Ocean Vuong about poetry, how art is like public transportation, and turning your back on your own work. Pair with Andrew Kay’s Millions essay on the power of poetry.
Hop on the Raft
Wordpocalypse
In the beginning, God died, and it was bad. Then the pun died too, and despair came over the people.
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“I refuse to cater to the bullshit of innocence.”
“I never started out as a children’s book artist. What is a children’s-book artist? A moron! Some ugly fat pip-squick of a person who can’t be bothered to grow up. That’s the way we’re treated in the adult world of publishing.” The Believer interviews the late Maurice Sendak, who passed away last May.
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Ridgway’s Hawthorn & Child Coming in September
New Directions announced they will publish Irish author Keith Ridgway’s novel, Hawthorn & Child, which was originally published by Granta books in 2012. Look out for the book this September. As a way to entice prospective readers, Tom Roberge does not mince words. “This is absolutely a New Directions book, and we think those of you who’ve fallen in love with Javier Marías or Roberto Bolaño or László Krasznahorkai as much as we did will agree,” Roberge writes.
Cozy Bildungsroman
Could “cozy literary fiction” ever be a thing? Mallory Ortberg at The Toast has penned a passionate defense of the unintentionally hilarious “cozy mystery” genre. Sate your mystery fix with this essay from The Millions’ own Matt Seidel on the four ways to wrap up a mystery tale.
Please Be Quiet, Please
Recommended Reading: This essay from The Rumpus on total noise and total silence, touching on everyone from Mikhail Zoshchenko to Don DeLillo.
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Nancy Drew and the Not-So-Secret Ghostwriters
For CrimeReads, Radha Vatsal takes a look at Carolyn Keene's many identities and how, in the end, it doesn't matter who wrote the Nancy Drew books.
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