For the Poetry Foundation blog, David Winter interviews Night Sky With Exit Wounds author Ocean Vuong about poetry, how art is like public transportation, and turning your back on your own work. Pair with Andrew Kay’s Millions essay on the power of poetry.
Hop on the Raft
The Dead Author’s Home
J.D. Salinger‘s house is on the market and generating plenty of buzz, but before you make an offer consider “what does it mean to want to live in a dead writer’s house? When does fandom devolve into idolatry?”
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On Goodreads, On Good Criticism
“Goodreads lets me capture and disperse impressions that occur as I read. I tend to track the sounds I make when reading, the chortles, gasps, growls, and LOLs. I try to figure out why I might not have liked aspects of a book, looking under the hood in a workshoppy way…” Lee Klein offers a defense of Goodreads and good criticism over at Full Stop.
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Treme vs. The World
“American television has been a juvenile medium for most of its existence,” David Simon tells Salon. This defense of ‘Treme’ was published three days after David Thier called the show “deeply boring” in The Atlantic. “There is nothing New Orleans loves so much as New Orleans” Thier says, “but the show can’t get past the desire to be authentic.” Sarah Broom, during last May’s PEN World Voices Festival, said “this ‘love of place’ is really just from people who are stuck in a lots of ways.” But hey, at least the show’s attention to detail is admirable.
Unearthing the Curtain
When you think of Shakespeare’s plays, you probably think of the Globe Theatre. Yet for more than twenty years before the Globe was opened, the Curtain Theatre was the first home to such plays as Romeo and Juliet and Henry V. Unfortunately the place was closed and disassembled in the 17th century, and the location was presumed lost. Fast forward 400 years, however, and a team of East London excavators have finally uncovered a few of its sections.
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