For the Poetry Foundation blog, David Winter interviews Night Sky With Exit Wounds author Ocean Vuong about poetry, how art is like public transportation, and turning your back on your own work. Pair with Andrew Kay’s Millions essay on the power of poetry.
Our own Michael Bourne takes a look at Thomas King’s Inconvenient Indian, which struggled to find a publisher in the United States despite flying off the shelves in Canada. “The curious publication history of [the book],” Bourne writes, “serves as a window into the wide differences in the way mainstream Americans and Canadians view the Native peoples in their midst.”
Writer’s block: the eternal struggle, right? Thankfully, Ted Scheinman asked some of his favorite writers for their remedies, and he compiled them into a helpful list. “Do try these solutions, alone or in combination,” he urges. “’Mix and match’ is the cry.” (Related: You can also check out the “daily routines of famous creative people” for inspiration, as well.)
“At first I had three [children], because I think we need to be outnumbered. It’s good for them. That was my plan when I had three children.” Sit down with Karl Ove Knausgaard as he drives his daughter home. Jonathan Callahan reflects on how Knausgaard’s writing consumes him.
“Save one life save the world, instructs the Talmud… You can’t save every life. You can’t save every book. But you can at least throw lifelines now and then.” Susan Coll writes for The Atlantic about the power of shelving and the importance of staying hopeful, no matter how gloomy publishing becomes.