For the Poetry Foundation blog, David Winter interviews Night Sky With Exit Wounds author Ocean Vuong about poetry, how art is like public transportation, and turning your back on your own work. Pair with Andrew Kay’s Millions essay on the power of poetry.
Last week, we discussed how Teju Cole has mastered literary Twitter, and that was before we knew that he tweeted a 4,000-word essay on immigration. “A Piece of the Wall” is composed of 250 tweets written during a seven-hour period and starts with: “I hear the sound of faint bells in the distance. It is like a sound in a dream, or the jingling at the beginning of a Christmas song.”
From The Independent, the best of the new breed of underground literary magazines to fit into that “empty slot on the bookshelf between your pristine copies of McSweeney’s Quarterly Concern and Granta.”
Following the example of Flaubert, whose Dictionary of Received Ideas compiled the clichés of its day, Teju Cole set out on Monday to record his own clichés on Twitter. At Page-Turner, he sums up his experiment in a blog post. (You may recall that this is not the first time Cole has won acclaim for his Twitter account.)
There’s a scandal gaining traction in the UK, and it involves sending books through the mail. The country’s justice secretary, Chris Grayling, is standing by a new law that bans inmates from receiving parcels of books. According to him, the law is intended to make inmates “earn [their] privileges.” (h/t Page-Turner)