For the Poetry Foundation blog, David Winter interviews Night Sky With Exit Wounds author Ocean Vuong about poetry, how art is like public transportation, and turning your back on your own work. Pair with Andrew Kay’s Millions essay on the power of poetry.
As part of his research for his recent treatise on office life, Cubed, n + 1 editor Nikil Saval looked back on his own years in an open office. In an interview with Sara Scribner, he talks about his growing awareness that it wasn’t good for his health: “It was sociable in some good senses, but also mostly not a pleasant place to be.”
“Like moss, my family grew on a mountain. In the utmost northwest of Spain, they set down roots so thick that only despair could rip them out.” Lorena Piñeiro writes at Midnight Breakfast about her family and penance. Pair with a piece on the business of nonfiction.
If you have aspirations of the literary sort, I strongly recommend Dan Wickett’s interview with “founders, editors and managing editors of 8 Literary Journals of varying age and size.” And you should also look at the latest posts at Mad Max Perkins’ Book Angst in which hears from editors and publishing industry types about “the true meaning of midlist.”
Our own Emily St. John Mandel gives a glimpse of her life on the road. “I’d been on tour for so long that I had to take a picture of my hotel room door every time I checked into a new place, because otherwise I’d forget my room number,” she writes. For more of her writing, check out her Millions essay on the place where writers work.
“Skipping or skimming parts of a narrative should not only be expected but encouraged, particularly if an author is writing without clarity or purpose or showing off. Life’s too short to slog through some smarty-pants attempt to demonstrate a mastery of mechanical engineering or botany.” Adam Kirsch and Anna Holmes face off for The New York Times Bookends column about whether there are right and wrong ways to read a book.