BuzzFeed is looking for the next round of applicants for their annual Emerging Writers Fellowship, which has a mission to “diversify the broader media landscape by investing in the next generation of necessary voices.” The fellowships are given to four nonfiction writers and include a $12,000 stipend and career mentorship from BuzzFeed’s editorial staff. The deadline is October 1.
A Visit from the Goon Squad by Jennifer Egan drops today. Our review. Also out recently are Walks With Men, a novella by Ann Beattie, and The Particular Sadness of Lemon Cake, a novel from Aimee Bender. This week also sees the long-awaited posthumous publication of Henry Roth’s An American Type. Another recent posthumous publication: Robert Walser’s mysterious Microscripts.
An intrepid (or sadistic?) YouTube user created a “No Cry Challenge” video playlist composed of nineteen videos that will surely punch you in the gut. These things are heavy and heart wrenching. I don’t want to mislead you at all: they could very well ruin your entire week. The first one in the queue is especially devastating; I recommend doing it last. After you watch a couple, go outside and take a walk. Hug a family member, a pet or a friend. (via)
Surprising news emerged today about This American Life‘s Mike Daisey episode on Apple’s Foxconn subcontractors (previously mentioned on The Millions here, and later here). Apparently portions of Daisey’s visit to Chinese Foxconn factories were fabricated, and TAL‘s producers failed to ensure factual accuracy because he misled their efforts. As a result, the show has retracted the broadcast (PDF), Daisey has issued a statement of defense, and the next TAL episode will cover the entire fiasco.
Last week, I mentioned Look Who’s Back by Timur Vermes, which caused a stir in Germany with its tale of a time-hopping Hitler. Now, Daniel Torday reviews the book for the Times, judging it both for its historical research and its merits as a work of fiction. Sample quote: “The German public’s acceptance of the artist they think they’re watching provides a critique of pop culture. But it feels like bringing the Luftwaffe to a knife fight.”