At Ploughshares, take a journey through Florence with Emily Smith (and Dante).
Da Firenze
Writing From Beyond the Grave
Do famous authors owe it to the reading public to publish their unfinished works after death? Casey N. Cep traces the contentious history of writers’ estates.
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One Yakuza Group Starts its Own Magazine
Yamaguchi-gumi Shinpo, the largest Yakuza faction, has decided to start its own magazine focused on “haiku poetry, articles on the innocent pursuit of angling and entreaties to its readers to perform good works” among other things. Related: recently photographer Christopher Jue journeyed with People Who Eat Darkness author Richard Lloyd Parry into the four-story headquarters of the Kudō-kai.
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Dear Reader, You are reading
Gawker’s Adrian Chen has uncovered the man who is ultimately behind @Horse_ebooks. If you’re unfamiliar with the constant stream of found poetry that is @Horse_ebooks, you may want to start with this Splitsider essay, which includes a cameo from John Darnielle.
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Tuesday New Release Day
The big debut this week is Imperial Bedrooms by Bret Easton Ellis. Also of interest is a new collection of essays by Sloane Crosley, How Did You Get This Number. The much delayed U.S. edition of a controversial 2009 Booker longlister, Ed O’Loughlin’s Not Untrue and Not Unkind, is now out. As is this intriguing curiosity: Peacock and the Buffalo: The Poetry of Nietzsche, which purports to be the “first complete English translation of Nietzsche’s poetry.”
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Ramsquaddled and Pixellated
Are you familiar with the term, “clatterdevengeance”? It’s the favorite word of Jonathon Green, purveyor of the internet’s newest dirty slang dictionary, which seeks to document some of the more hilarious (and uncouth) experiments in the English language.
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Tuesday New Release Day: Sacks; Hitchens; Li; Whitman
Out this week: Gratitude by Oliver Sacks; And Yet by Christopher Hitchens; The Lost Garden by Ang Li; and a new edition of Drum Taps: The Complete Civil War Poems by Walt Whitman. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
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Words & Symbols
Mairead Small Staid writes on the history and poetics of the ampersand, “a logogram masquerading as a letter, a letter that is also a word—like a and I and even o, but no—a letter that is only a word, the plainest word of all.”
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