Louis Menand writes about why the women’s movement needed The Feminine Mystique (despite its shortcomings). You could also read a review of Rebecca Jo Plant’s Mom, which looks to The Feminine Mystique to understand why our culture blames mothers.
Critical Texts
Significant Thinking
“Over the course of our conversation, I’ve come to understand that he has not written (Thomas Jefferson Dreams of Sally Hemings) to provoke or to engender a self-serving sense of shock; he has written with a belief in the possibilities of liminal space and in the revelations that occur at the point of tension. The result is a book that jars, unequivocally, and that disquietingly brings to the surface the anguish of past and present America.” Stephen O’Connor’s poetic reimagining of the relationship between Thomas Jefferson and the enslaved Sally Hemings has certainly raised some eyebrows. This interview with Melody Nixon at BOMB gives O’Connor a platform from which to explain his idea.
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Fire It Up
Michael B. Jordan was tapped to play Montag in HBO’s adaptation of Ray Bradbury’s Fahrenheit 451. The project, which will also star Michael Shannon as Beatty, is currently under development. (Bonus: Tanjil Rashid on “Bradbury’s Middle East Connection“)
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Where Everyone’s a Cardsharp
Edward “The Godfather” Thorp has been widely recognized as the “father of card counting” since the publication of his bestselling book Beat the Dealer in 1962. Today, at 70 years old, the man’s impact on the card game is ubiquitous, but perhaps nowhere moreso than at Las Vegas’ annual Blackjack Ball.
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What’s in a Name?
Why would anyone write a book anonymously? Maria Bustillos ponders anonymity at The New Yorker. “Anonymous is more than a pseudonym. It is a stark declaration of intent: a wall explicitly thrown up, not only between writer and reader, but between the writer’s work and his life.”
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