Doubleday pulled a Beyonce and published Colson Whitehead’s latest book, The Underground Railroad, a month early. Oprah chose Whitehead’s book for her book club, and Doubleday “secretly started shipping out 200,000 copies in anticipation of the announcement.” You can also read a review from Michiko Kakutani at the New York Times.
Time to quit moaning and groaning, publishing industry insiders: a survey released today by Bookstats shows publishers brought in 5.6% more revenue and sold 4.1% more books in 2010 than in 2008, according to the New York Times.
The best longread you’re likely to find this afternoon: Martin Amis talks to David Wallace-Wells about his latest novel, Lionel Asbo: State of England, America’s decline, politics, porn, post-modernism and more. Amis even dodges another attempt to bring up that book he wrote about videogames that nobody will let him live down.
“The notebook is where our interior world makes contact with our exterior world; where our instinct for creation is first made material. Our notebooks are our first messy attempts at self-expression, and the ways in which we express ourselves are changing every day.” Sarah Gerard explores the life of the notebook in an essay for Hazlitt. Pair with our own Hannah Gersen‘s look at other methods writers use to keep their ideas straight, from calendars to collages.
“The wish to be a writer, and the will to be one, solve nothing about how you will live, and don’t even solve anything about how you will write. You have given yourself the vaguest designation.” Kristy Eldredge writes for The Rumpus about drawing inspiration from the unconventional career choices of Year in Reading alum Geoff Dyer, including the New York Times column he almost never wrote. Pair her essay with our own Janet Potter‘s review of Dyer’s latest full-length work, Another Great Day at Sea.