Doubleday pulled a Beyonce and published Colson Whitehead’s latest book, The Underground Railroad, a month early. Oprah chose Whitehead’s book for her book club, and Doubleday “secretly started shipping out 200,000 copies in anticipation of the announcement.” You can also read a review from Michiko Kakutani at the New York Times.
Book Drop
On Cocktails, Camaraderie, and Chaos
Times drink columnist Rosie Schaap discussed Drinking With Men in the pages of The Observer. Meanwhile, Derek Brown has some advice for bartenders across the country: for the love of all that is holy, stop inventing so many new, wild drinks!
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Publishing Industry Rebounds
Time to quit moaning and groaning, publishing industry insiders: a survey released today by Bookstats shows publishers brought in 5.6% more revenue and sold 4.1% more books in 2010 than in 2008, according to the New York Times.
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“You can’t be up the reader’s ass, as many a writer I think is—cute as hell, ingratiating as hell.”
The best longread you’re likely to find this afternoon: Martin Amis talks to David Wallace-Wells about his latest novel, Lionel Asbo: State of England, America’s decline, politics, porn, post-modernism and more. Amis even dodges another attempt to bring up that book he wrote about videogames that nobody will let him live down.
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The Numbers
Some will find Publishers Weekly’s list of top selling books in 2009 endlessly fascinating. The name I was most surprised to see on the list? R. Crumb, whose The Book of Genesis Illustrated apparently sold 119,914 copies last year. (via)
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Cubans, Minimalists, and Surrealists, Oh My!
A three-course feast for your eyes, dear readers: vintage Cuban movie posters courtesy of Will Schofield; minimalist book covers courtesy of Julie Oreskovich and AbeBooks; and little-known sheet music illustrations courtesy of the great René Magritte.
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On The Notebook
“The notebook is where our interior world makes contact with our exterior world; where our instinct for creation is first made material. Our notebooks are our first messy attempts at self-expression, and the ways in which we express ourselves are changing every day.” Sarah Gerard explores the life of the notebook in an essay for Hazlitt. Pair with our own Hannah Gersen‘s look at other methods writers use to keep their ideas straight, from calendars to collages.
The Vaguest Designation
“The wish to be a writer, and the will to be one, solve nothing about how you will live, and don’t even solve anything about how you will write. You have given yourself the vaguest designation.” Kristy Eldredge writes for The Rumpus about drawing inspiration from the unconventional career choices of Year in Reading alum Geoff Dyer, including the New York Times column he almost never wrote. Pair her essay with our own Janet Potter‘s review of Dyer’s latest full-length work, Another Great Day at Sea.
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Did We Mention That the Night Is Young?
The hard-partying New York Times had us seeing double this morning.
