The London Review of Books has created an interactive map of their diary entries. Check out where 100 of their authors were writing.
“I am not at all sure—convinced, certain, persuaded—that creative-writing courses are a good idea unless they prevent people from writing sentences like this one, where adjectives—useful, helpful, intensely descriptive words—are stacked upon one another as Pelion used to be piled upon Ossa.” Alexander McCall Smith on the dangers of overwriting.
Maybe the Mayans were right about 2012. In a sign that the end times are surely nigh, MTV2 has decided to bring back Hollywood Squares “but with a modern twist.” The unfortunately-named Hip Hop Squares will feature Nick Cannon, Ghostface Killah, DJ Khaled, Lamarr Woodley and… Bam Margera?
A couple months ago, I linked to a new Granta series in which authors select one of their own first sentences and recall how they came to it. This week, Patrick French explains the first sentence of a nonfiction piece titled “After the War” (available in Granta 125) by digging up an old photograph that shows how the Edwardian English were “stitched and machined into a grid of expectations.”
“It’s part of Jane Austen’s genius that she can bring the maximum of drama and momentousness to the most minimal of occasions.” Here is David Denby from The New Yorker on reading (and listening to) Austen’s Emma, which is celebrating its two-hundredth year in print. We’ve brought you a bunch of bits on Austen in the past.