Out this week: Multiple Choice by Alejandro Zambra; The Hopefuls by Jennifer Close; Monterey Bay by Lindsay Hatton; and Losing It by Emma Rathbone. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
Tuesday New Release Day: Zambra; Close; Hatton; Rathbone
On Optimism and Despair
“In your earlier novels you sounded so optimistic, but now your books are tinged with despair. Is this fair to say?” Zadie Smith‘s remarks upon accepting the 2016 Welt Literature Prize on November 10th, and the question of whether “multiculturalism” is a failed experiment. Read our review of Smith’s latest novel, Swing Time, here.
●
●
Translation Troubles
At Words Without Borders, Scott Esposito examines the thorny issues of reviewing books in translation, when it may not be clear exactly who to blame or praise, the author or the translator.
Look Out, Booker Bookies
Geoff Dyer, lately everybody’s favorite literary critic, reviews The Stranger’s Child, and tells us why Alan Hollinghurst, “the gay novelist, might also be the best straight novelist that Britain has to offer.” Hear, hear!
●
●
Vote Knope
The most important news of 2013 so far: Parks and Recreation star Amy Poehler is currently writing a memoir, to be published in fall of 2014.
●
●
“Anything but the perfect external man”
Philip Roth may have retired, but that doesn’t mean he’s done giving interviews. The author recently sat down with the editor of a Swedish newspaper, who talked with him about misogyny, Sabbath’s Theater and the need for “obstinacy” in a writer. (Related: our own Hannah Gersen reviewed Roth Unbound.) (h/t The Paris Review)
●
●
Global Fame for a Literary Icon
“She told the students not to explain too much, that they could throw in expressions in Igbo or Yoruba or pidgin and trust the reader to get it. She told them that even if a story was autobiographical it should be shaped—that, for instance, although in life you could have ten close friends, in fiction you could not, because it was too confusing. She told them to avoid inflated language—’never purchase when you can buy.'” A delightful (and somewhat rare) long profile of Chimamanda Ngozi Adichie in the New Yorker.
Public Solitude
“You can’t be worrying how you sound. You can’t wonder whether you or your characters are likable or smart or interesting. You have to be inside the scene—the tactile world of tables and chairs and sunlight—attending to your characters, people who exist for you in nonvirtual reality.” Paris Review editor Lorin Stein writes for The New York Times about solitude in the age of the Internet and the future of the book.