Out this week: Heroes of the Frontier by Dave Eggers; The Unseen World by Liz Moore; Leaving Lucy Pear by Anna Solomon; Bad Faith by Theodore Wheeler; My Name Is Leon by Kit de Waal; and Home Field by our own Hannah Gersen (who we interviewed). For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
Ralph Waldo Emerson called him “the jingle-man.” Henry James called his work “decidedly primitive.” Yet Edgar Allan Poe, nearly two centuries after his death, is now acclaimed as a writer on par with his best contemporaries. How did his reputation evolve? In the Times Literary Supplement, Marjorie Perloff reviews a new study of Poe by Jerome McGann.
New this week: Voices in the Night by Steven Millhauser; Gutshot by Amelia Gray; The Dead Lands by Benjamin Percy; The Turner House by Angela Flournoy; The Fishermen by Chigozie Obioma; The Fair Fight by Anna Freeman; Lurid and Cute by Adam Thirlwell; The Given World by Marian Palaia; The Winter Family by Clifford Jackman; Diamond Head by Cecily Wong; and Whispering Shadows by Jan-Philipp Sendker. For more on these and other new titles, check out our Great 2015 Book Preview.
There’s just something about David Foster Wallace‘s writing that makes people want to adapt it. We’ve written about this phenomenon before – there have been Infinite Jest-inspired radio tributes and music videos, series of illustrations, even a novel-in-legos. Interest in adapting Wallace’s work doesn’t seem to be slowing, and earlier this month Public Theatre put on an experimental performance of passages of his writing and interviews, A (Radically Condensed and Expanded) Supposedly Fun Thing I’ll Never Do Again, which both Salon and Hyperallergic reviewed.
Brooklyn Poets caught up with Danniel Schoonebeek in order to discuss one of his poems, hear about his idea of “a good day,” and take his recommendations for places to read, write, and explore in Brooklyn. I’ll tell you this much: the man knows how to pick a good happy hour.
As evidenced by the amazing quiz “Jonathan Franzen Gripe or YouTube Comment about Saggy Pants,” a perception exists that the widely acclaimed writer is allergic to new technology. At Slate, Benjamin Nugent argues that Franzen’s new book, The Karl Kraus Project, proves inadvertently that Franzen is less of a Luddite than we think.