“Garth Greenwell’s project with What Belongs to You is to remind us how illicit cruising and anonymous sex figure within the modern gay identity. As the gay marriage movement helps sanitize (and de-sexualize) queerness, Greenwell brings the dark and sordid elements of sex and promiscuity back into sharp relief.” Over at Pacific Standard, Nathan Smith writes on the new gay novel. Pair with the Millions review of Greenwell’s book.
The New Gay Novel
Much Better Than Downton Abbey, I Promise.
When you woke up this morning, did you say to yourself, “I wish I could listen to a bunch of lectures from the University of Texas’ British Studies curriculum?” If so, you’re in luck.
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How Do You Turn The Page?
A South Korean designer has created “a translucent plastic tray with a slot for your reading material – be it paper, magazine or book – and a specially marked spot for mugs.” The idea is to prevent unfortunate coffee spills from ruining your morning newspaper. Or, you know, you could just stop being so clumsy.
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Clickity-Clack
Half a century ago, it would have been inconceivable to think that one day, the clack of typewriter keys would disappear from daily life. The rise of the personal computer, in Sadie Stein’s words, turned an everpresent sound into a “living anachronism.” She reflects on the value of the typewriter in a blog post for The Paris Review Daily. (It might also be a good time to read our own Bill Morris on typewriters and pen pals.)
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Uprooted
What is deracination, and why is it key to understanding American fiction? In her novel Housekeeping, Pulitzer laureate Marilynne Robinson defines it as “the free appreciation of whatever comes under one’s eye,” inspired by the Western sentiment of “feeling no tie of particularity to any single past or history.” In the Boston Review, Jess Row states that deracination is “a long-lived and nearly universal trope in white American literature,” claiming it represents “an American ideal: not to strip from the roots, but to de-race oneself.”
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