"I and my fellow parrots are right here. Why aren’t they interested in listening to our voices?" New short fiction from Ted Chiang over at Electric Literature (and introduced by Year in Reading alum Karen Jay Fowler)! Pair with our encyclopedic survey of primate lit.
Even though the advice to "kill your darlings" implies editing your writing is a painful process, some writers relish it. At The New York Times, Pamela Erens discusses the pleasures of trimming down her writing. "For every word I cut, I seem to have more space between my ribs, more lung capacity." For more Erens, read her essay on accepting her book cover.
A few days ago, Amazon announced the launch of their new "@Author" feature for the Kindle, whereby readers can click on an e-book passage and ask the author questions about it directly. I've broken out in a cold poststructuralist sweat about this over on The New Yorker's Book Bench blog.
“The city has the beckoning power of a black hole or the Italian countryside or a castle. There is no way to explain our wiring to someone whose fairytale has always ended somewhere like Florida.” Aisha Sabatini Sloan on calling Detroit home, over at The Offing. Also check out Bill Morris’s Millions piece on movies set in the city.
Behold the polymathic mind of Terry Castle, professor, literary essayist, and collage artist. At Fevered Brain Productions, her art blog, see digitally alter photos and collages like "Warthog Proffering Rootbeer," "She Polarizes People," "Collage Dramas", and "Kind Hearts and Coronets." And from the LRB archives, check out her controversial quasi-eulogy for Susan Sontag, her reviews (for example, Always the Bridesmaid on Yopie Prins' Victorian Sappho), and her essays (Travels With My Mom). The Professor, Castle's forthcoming book of essays, will be published by HarperCollins in January.