Following the recent violence in the U.S., the editors at n+1 offer resources and articles from the archives. You could also read yesterday’s article asking what political writing is or Michael Bourne’s review of Nancy Isenberg’s White Trash.
“At a time when heated conversations about diversity and cultural appropriation in literature abound, The Loved Ones is a wondrous gift, a pleasant reminder that there are many thoughtful writers who can create believable characters of multiple races, ethnicities, and genders without relying on caricature or stereotypes.” We’re all warm inside from Necessary Fiction‘s lovely review of Millions staff writer Sonya Chung‘s novel, which we featured in our second-half 2016 book preview.
If you’re the kind of person who might fall asleep while reading a page-turner, you’re not alone. For Read It Forward, Jonathan Russell Clark writes about the challenge of literary sleepiness. For more of his writing, check out his essay on the art of the final sentence for The Millions.
In the past few years, we’ve seen a swell of books that focus on female friendship. The newfound popularity of writers like Elena Ferrante has given us a new wealth of books that explore this kind of relationship. At Salon, Dear Thief author Samantha Harvey examines why this is, as part of a larger discussion about her own novel and the literary landscape. You could also read our review of Harvey’s earlier novel The Wilderness.
“The magical aspect of poetry does not diminish the value of critical scrutiny. Scholarship has clarified the meaning of poetry. The point is rather that an essential part of poetry’s power has little connection to conceptual understanding. Poetry proffers some mysteries that lie beyond paraphrase.” Dana Gioia with a beautiful essay on the enchantment of poetry for The Dark Horse. Check out our extensive On Poetry archive and continue your journey of poetic enchantment.
“Imaginary Oklahoma” writes Oklahoman writer James McGirk, “is an anthology of forty-six writers’ attempts to envision Oklahoma without ever having visited America’s forty-sixth state.” You can get a taste for the pieces over at The Paris Review, or you can check out the book trailer and attempt to envision The Paris Review‘s write-up without actually reading it.
BuzzFeed is looking for the next round of applicants for their annual Emerging Writers Fellowship, which has a mission to “diversify the broader media landscape by investing in the next generation of necessary voices.” The fellowships are given to four nonfiction writers and include a $12,000 stipend and career mentorship from BuzzFeed’s editorial staff. The deadline is October 1.