David Naimon interviews Rob Spillman, editor of Tin House and author of All Tomorrow’s Parties. Spillman discusses his favorite issue of Tin House with Nick Ripatrazone at The Millions.
Partying Tomorrow
Franzen and Oprah: Together at Last?
If Moby Lives is right, the literary beef that erupted when Oprah selected Jonathan Franzen's The Corrections for her book club and he rejected the (in his mind, dubious) honor is about to get a curious denouement. Speculation is that Freedom is poised to become another Oprah selection. And your author suspects that Franzen will be more welcoming this time around. (Oprah sticker haters should probably buy their copies of Freedom now, just to be safe.) Update: The AP confirms and so it begins again.
Joie de Vivre
Recommended Reading: This letter from The Paris Review’s Paris editor Antonin Baudry touches on everything from the surprising post-attack popularity of A Moveable Feast to Michel Houellebecq’s troublesome op-ed in the New York Times.
Writerly Advice
We’ve covered the Atlantic series By Heart a number of times before. In the latest edition, Angela Flournoy makes a case for writing about what you don’t know. Pair with Toni Jordan’s Millions essay on “the ideas behind fiction.”
The Real Racist
One thing that pretty much everyone can agree on is that Go Set a Watchman is a controversial book. Our own Michael Bourne said it “fails as a work of art in every way except as a corrective to the standard sentimental reading of Atticus Finch.” At Slate, Dan Kois, Meghan O’Rourke and Katy Waldman debate the main questions the novel raised.
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Show Up, Don’t Show Up
"You’ll engage with your advisor in a free-form dialogue about essential skills such as plotting your next career, pacing your financial ruin, structuring TV binge-watching during optimal writing hours, and characterizing all of this as 'learning how to fail.'" Hey, this new low-competency MFA from the fictitious Half Mast College sounds pretty great. Here's our own Hannah Gersen on why she has foregone the MFA route entirely.
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The Literary Identity
“Being someone who’s an outsider, there are so many ways in which the world acts on you or assigns narratives to you.” Literary Hub interviews author Azareen Van der Vliet Oloomi about literature, identity, and her new novel, Call Me Zebra. From our archives: Nur Nasreen Ibrahim's review of Call Me Zebra.