The Lambda Literary Award winners were announced, including Under the Udala Tree author Chinelo Okparanta, Dawn Lundy Martin, and Hasan Namir.
Lambda Award Winners Announced
The Privilege of Innocence
“Many black parents tell black children to strive; to seize opportunities that will enable upward mobility. However, they also give their children a poison capable of eroding black children’s innocence. They tell them to be twice as good; that there is no room for failure or mistakes.” Nicole Dennis-Benn, author of Here Comes the Sun, writes about how black children are denied the privilege of innocence.
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Muggles Appraising Wizards
Over the past few years, the Movoto Real Estate blog has become the internet’s number one destination for appraising the real estate in the Harry Potter universe. First they estimated the value of Hogwart’s Castle to be around $204 million, and now they’ve turned in an estimate of the Weasley family’s Burrow near Ottery St. Catchpole.
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Tuesday New Release Day: Marías; Nao; Lawson; Murray; Luce; Hoffman; Ashbery
Out this week: Thus Bad Begins by Javier Marías; Fish in Exile by Vi Khi Nao; Virgin and Other Stories by April Ayers Lawson; Valiant Gentleman by Sabina Murray; Pull Me Under by Kelly Luce; Faithful by Alice Hoffman; and Commotion of the Birds by John Ashbery. For more on these and other new titles, go read our latest fiction and nonfiction book previews.
“To do so, I felt, would be too dangerous”
Over at Electric Literature, Tara Isabella Burton likens the experience of reading her ex’s favorite book – in this case Stefan Zweig’s Beware of Pity – to “rifling through someone’s letters after a death.”
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Please, Sir, I’d Like Some More Time
Recommended Reading: a piece from the New York Review of Books blog on modern attention spans and what they mean for literature. Hint: it’s not looking too promising. Tim Parks closes with a prediction that “the novel of elegant, highly distinct prose, of conceptual delicacy and syntactical complexity, will tend to divide itself up into shorter and shorter sections, offering more frequent pauses where we can take time out. The larger popular novel, or the novel of extensive narrative architecture, will be ever more laden with repetitive formulas, and coercive, declamatory rhetoric to make it easier and easier, after breaks, to pick up, not a thread, but a sturdy cable.”