Recommended Reading: A conversation between Year in Reading alumna Rebecca Makkai and Louise Erdrich at The Chicago Review of Books. You could also read our interview with Makkai following the release of The Hundred-Year House.
"Try not to get overly attached to a hypothesis just because it’s yours. It’s only a way station in the pursuit of knowledge. Ask yourself why you like the idea. Compare it fairly with the alternatives. See if you can find reasons for rejecting it. If you don’t, others will." It's too bad more people haven't had a chance to take a look at Carl Sagan's 8-rule "Baloney Detection Kit."
"Because I now know that the man who had come to the door was my mother’s stalker, I’ve injected the memory of his arrival at my childhood home with more detail than I actually possess." From Catapult, the latest installment of "After a Fashion," writer Esmé Weijun Wang’s monthly column examining articles of clothing she owns and the stories behind them. Consider also our review of Women In Clothes, an anthology resulting from the collaboration of authors Sheila Heti and Heidi Julavits.
When a novel is printed in multiple countries, it often has more than one editor. Slate interviews Emma Donoghue; her American editor, Judy Clain; and her Canadian editor, Iris Tupholme, about how they all edited Frog Music. They discuss everything from how to deal with editing disputes to the best way to get edits. "I much prefer to get everyone’s opinions separately, because if I got a single editorial letter, it would be like getting a note from God!" Donoghue says. For more on the editing process, read about our own Edan Lepucki's relationships with her copy editor and editor.