Recommended Reading: A conversation between Year in Reading alumna Rebecca Makkai and Louise Erdrich at The Chicago Review of Books. You could also read our interview with Makkai following the release of The Hundred-Year House.
In the wake of the fire that destroyed much of the manuscript collection at the Institut d’Egypte on Saturday, scores of pro-democracy protesters have told of their efforts to salvage books and other rare documents from the smoking ruins.
Gordon Willis, the celebrated cinematographer who worked on The Godfather films and Annie Hall, passed away Sunday at the age of 82. The Paris Review has posted a short “In Memoriam,” which serves as both a wonderful introduction to the work of this artist and a knowing celebration of his work, complete with a video of Manhattan‘s bridge scene and an interview with Willis himself.
When did Twitter turn into a place of public shame, outrage, and apology? Alexander Chee examines the changing culture in an essay for Dame Magazine. “Oh, Internet, place of the ultimate writerly paradox, where things you write quickly for little or no money last forever.” Our own Mark O’Connell explored something similar in his New Yorker essay on the public humiliation of regrettable tweets.
This week in book-related graphics: An image-heavy test that combines poetry with traffic signs from Ploughshares, and an infographic breaking down the most fearsome (and most useless) characters in The Iliad.