The Green Road author Anne Enright shares her writing day, over at The Guardian. “22:00 Bedtime stuff with offspring. 23:00 Dishes. Netflix. Two bottles of IPA. Chill.” Pair with Diane Prokop’s Millions interview with the author.
The deadline for DIAGRAM’s annual essay contest is fast approaching. Past winners include Peter Jay Shippy’s “Goonies: or Wallace Stevens’s ‘The Snowman’–an Essay in 7 Films” and (my all-time favorite) Cheyenne Nimes’s “SECTION 404 OF THE CLEAN WATER ACT AND THE SANTA CRUZ RIVER SAND SHARK, SUBTITLED ‘THIS TROUBLESOME REGULATORY CONSTRAINT’.”
At My Life and Thoughts, Elif Batuman–in delightfully Elifish style–describes her first book travails and unveils a preliminary sketch for the cover of her forthcoming first book The Possessed: Adventures with Russian Books and the People Who Read Them, drawn by New Yorker cartoonist Roz Chast.
It’s a common trope in writing courses that young artists need a dose of childlike creativity. Self-help books for people with writer’s block are filled with callbacks to childhood interests. But is it possible, as Tasha Golden argues at the Ploughshares blog, that idealizing children isn’t the answer to our problems?
The Millions is adding a new staff writer today. Join us in welcoming Bill Morris. Bill most recently wrote a consideration of China Miéville for the site this week, his fifth piece for us thus far. Bill is the author of the novels Motor City and All Souls’ Day. His writing has appeared in Granta, The New York Times, L.A. Weekly, the (London) Independent, the Washington Post Magazine and the website Aolnews.com. He lives in New York City.
New this week: Human Acts by Han Kang; Homesick for Another World by Ottessa Moshfegh; Glaxo by Hernán Ronsino; The Gringo Champion by Aura Xilonen; and Transit by Rachel Cusk. For more on these and other new titles, go read our most recent book preview.