Tim Parks writes for the NYRB about writers living abroad. As he puts it, “But what about those writers who move to another country and do not change language, who continue to write in their mother tongue many years after it has ceased to be the language of daily conversation? Do the words they use grow arid and stiff? Or is there an advantage in being away from what is perhaps only the flavor of the day at home, the expressions invented today and gone tomorrow? Then, beyond specifically linguistic concerns, what audience do you write toward if you are no longer regularly speaking to people who use your language?” Pair with Hannah Gersen’s Millions piece on reading the English translation of Jhumpa Lahiri’s In Other Words.
Words Grow Arid and Stiff
n+1: The Singles
Millions fave n+1 has begun putting out a series of mini-ebooks via Kindle Singles. Three are available thus far: “Octomom and the Politics of Babies” by Mark Grief, “Gatsby in New Delhi” by Siddhartha Deb, and “Argentinidad” by Benjamin Kunkel.
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Hobbit House Hunters
The Oxford home where J.R.R. Tolkien wrote The Hobbit and The Lord of the Rings trilogy is on the market for a cool $6 million.
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I will tell you this Rosalina, not as a taunt or a threat but as an evocation of joy.
From Werner Herzog’s letter to Rosalina, the woman he employs to keep his house: “Music is futile and malicious. So please, if you require entertainment while organizing the recycling, refrain from the ‘pop radio’ I was affronted by recently. May I recommend the recitation of some sharp verse. Perhaps by Goethe. Or Schiller. Or Shel Silverstein at a push.”
The Case of Portnoy v. Feldman
At the Jewish Daily Forward, Neal Pollack — he of The Neal Pollack Anthology of American Literature — takes on the retirement of his “contemporary,” Philip Roth.
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A Finalist in Our Midst
Sometime Millions contributor Bezalel Stern has been named a finalist in this week’s New Yorker cartoon caption contest. We think he’s got a chance at winning this thing.