Out this week: LaRose by Louise Erdrich; The Fox Was Ever the Hunter by Herta Müller; The Pier Falls by Mark Haddon; The Noise of Time by Julian Barnes; Allegheny Front by Matthew Neill Null; The Loney by Andrew Michael Hurley; Just Life by Neil Abramson; and The Selected Letters of John Cage. For more on these and other new titles, go read our Great 2016 Book Preview.
Tuesday New Release Day: Erdrich; Müller; Haddon; Barnes; Null; Hurley; Abramson; Cage
Leave Elena Alone
We can’t stop gobbling up Elena Ferrante’s Neapolitan novels, but we also won’t stop asking who Elena Ferrante really is. Why do we need to know the author’s true identity, asks Electric Literature? (Our own Michael Schaub revealed that he was Elena Ferrante earlier this year.)
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Strange Brew
Lorrie Moore once said in an interview that what’s good for writing is bad for life. In this vein, we might assume that coffee, which is bad for your health but good for your writing, neatly supports her conjecture. But what if it turns out that coffee is a detriment to creativity? Maria Konnikova investigates research that suggests this might be the case.
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Out of Service
Recommended viewing: Katrina Whalen’s short film adaptation of Charles Portis’s “I Don’t Talk Service No More.” Pair with our own Bill Morris’s review of Escape Velocity: A Charles Portis Miscellany.
Abramson Taking Over at the Times
Big media news today: “Jill Abramson, a former investigative reporter and Washington bureau chief for The New York Times, will become the paper’s executive editor, succeeding Bill Keller, who is stepping down to become a full-time writer for the paper.”
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The Best Books of the Year (2013)
Amazon released their annual Best Books of the Year: Top 100 in Print list today (as well as a free and helpful Reader’s Guide), and numerous Millions favorites made the cut. Both George Saunders’s Tenth of December and Philipp Meyer’s The Son cracked the top 10. We reviewed both here and here, respectively. Other notable books boasting extensive Millions coverage include Meg Wolitzer’s The Interestings (review), George Packer’s The Unwinding (review), Eleanor Catton’s The Luminaries (review), Dave Eggers’s The Circle (review), James Salter’s All That Is (review), Karen Russell’s Vampires in the Lemon Grove (interview), Stuart Nadler’s Wise Men (review), Colum McCann’s TransAtlantic (review), and Colm Tóibín’s The Testament of Mary (review). Meanwhile, the top spot belongs to Donna Tartt’s The Goldfinch.
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Art Within Art Within Art Within
The Public Domain Review and Berfrois heard you’re a big fan of paintings so they rounded up paintings with other paintings inside of them.
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