New this week: Zero K by Don DeLillo; Sweet Lamb of Heaven by Lydia Millet; Everybody’s Fool by Richard Russo; The Sport of Kings by C.E. Morgan; Imagine Me Gone by Adam Haslett; and Eleven Hours by Pamela Erens (who we interviewed). For more on these and other new titles, go read our Great 2016 Book Preview.
This January, Penguin Random House, Goodreads, Mashable and the National Book Foundation are sponsoring National Readathon Day, a holiday which encourages Americans to join together for a marathon reading session. If you’d like to take part, you can start a fundraiser to help support reading education, or else enlist your friends and family to read with you on January 24th from noon to 4 p.m.
Fellow children of the ‘90s will remember how much that decade was a kind of Golden Age for disaster movies. Then as now, explosive blockbusters like Independence Day, Twister and Dante’s Peak satisfied a collective appetite for wide-scale destruction and mayhem. At The Morning News, Ethan Gilsdorf considers what the genre’s evolution has to say about us.
Anaïs Nin had a lot to say about writing erotic fiction. Notably, she was unwilling to “leave out the poetry” and “concentrate on sex” in its place, despite repeated requests from her anonymous client to do just that. On a lighter note, Seth Fried also has some advice for aspiring writers of erotica. Quick, somebody get both of these articles to E. L. James.
Our own founding editor C. Max Magee is teaming up with our friends at The Bygone Bureau and The Morning News to give a panel discussion at SXSW Interactive 2013 on the future of independent longform writing on the web. If you wanna see the panel make it to Austin, head over the SXSW site to give us your vote. You can register to vote here.
Nikil Saval isn’t the only n +1 editor with a new book out. Through his magazine’s publishing arm, cofounder Benjamin Kunkel is releasing a play, Buzz, which comes on the heels of last month’s Utopia or Bust. At Full Stop, William Harris reviews Buzz, calling it “the type of play that propels itself by introducing the indefinite edges of a mystery.” It may also be a good time to read Kunkel’s Year in Reading entry.