New this week: Zero K by Don DeLillo; Sweet Lamb of Heaven by Lydia Millet; Everybody’s Fool by Richard Russo; The Sport of Kings by C.E. Morgan; Imagine Me Gone by Adam Haslett; and Eleven Hours by Pamela Erens (who we interviewed). For more on these and other new titles, go read our Great 2016 Book Preview.
When, in 1921, a young French writer working as a translator for James Joyce asked the writer to reveal his schema for Ulysses, Joyce balked, saying that “If I gave it all up immediately, I’d lose my immortality.” What he meant, at least in part, is that he wanted his opus to be relevant in perpetuity. At Full-Stop, Dustin Illingworth reads Ulysses on Twitter and asks: can the book survive the transition from the page to social media? Pair with: Josh Cook on The House of Ulysses by Julian Rios.
Nobody needs reminding that Yeats was a major poet, but it can be easy to forget, a hundred years of his major work, just why his poetry has endured. In The Irish Times, Denis O’Donoghue makes a forceful case for Yeats’s relevance, arguing that “Yeats solved, or came closer than any other modern poet in English to solving, the problem that defeated so many of his contemporaries: how to reconcile the claims of common speech, morally responsible, with the insisted-on autonomy of the poem.”
Poets, dog-lovers, urban-dwellers, and really, everyone — check out poet and dog-trainer Susie DeFord‘s heartfelt and keen-eyed new book of poems, Dogs of Brooklyn. Says Vijay Seshadri, DeFord’s collection is full of “wonderful poetic investigations into the life of Brooklyn’s dogs, into their habits, their idiosyncrasies, and their secret longings.”
“Ghosts are just the fucked-up dead.” This interview with David Mitchell on the release of his spooky new novel Slade House is a perfect Halloween read. We interviewed Mitchell this same time last year in conjunction with the publication of The Bone Clocks.