“Storytelling, she added, is a central part of Native American life, and, inevitably an obsessive part of hers. ‘It’s probably the most selfish thing I do,’ she said. ‘Truly. I don’t do it for anyone else. I do it because I have the addict’s need to get lost in the story.’” Louise Erdrich discusses her new novel LaRose.
A lot has already been said about Nicolas Winding Refn's newest and arguably most provocative film, Neon Demon. At The Rumpus, Jeffery Edalatpour examines beauty and its extremes, and also asks a couple questions of the director, himself: "Refn has revised the mythology of Aphrodite; she dons as much armor as Athena, enjoying nothing but the hunt. When I asked the director if he could cite any visual influences, his flat affect implied disdain for my simplistic question: 'I just photograph what I find interesting. I believe that women are more powerful and more interesting than men. It’s just very much what I like to fantasize about.' Fair enough."
As the New York Times reports, Anthony Bourdain will soon be acquiring books for Ecco, a HarperCollins imprint. When asked what types of books he'll publish, the celebrity chef turned travel host replied, "an initial list composed of chefs, enthusiasts, fighters, musicians and dead essayists."
Recommended Reading: Laura Miller on Mario Vargas Llosa and cultural declinism.
Francine Prose has an idiosyncratic theory that the Hindu god Ganesh is a vital part of her writing process. In a VQR essay, she explains that her portrait of the deity (which she purchased forty years ago at a bazaar in Mumbai) gives her a kind of confidence that goes beyond superstition. As support for this belief, she points out that Ganesh is known in some quarters as “the writer’s god.”