Over at The Atlantic, Lydia Millet argues for the power and legitimacy of The Lorax’s moral message. Millet believes that the heavy-handedness of activist-minded fiction like The Lorax is powerful partly due to “its shamelessness. It pulls no punches; it wears its teacher heart on its sleeve.”
Author Terry Pratchett‘s archives have been destroyed by steamroller, according to The New York Times. The hard drive containing all of his unpublished work was, per his wishes, run over by a close friend. We ran this remembrance on the occasion of his passing two years ago.
Darryl Pinckney and Zadie Smith discuss Beyoncé, literature, and achievement in a recent podcast from the New York Public Library. More reasons to love the library. Revisit our review of Smith’s NW if you’re looking for a book to pick up at your local library.
Recommended Reading: This review, though it is really much more than that, of Daniel Williams’ Defenders of the Unborn. Williams’ book takes a detailed look at the history of anti-abortion activism before Roe v. Wade, but more generally it seeks to complicate our entire definition of activism in the context of the pro-life/pro-choice debate.
One of the most exciting new books of 2013 hits shelves today: Tenth of December by George Saunders. Also out are Will Self’s Booker shortlisted Umbrella, Rage Is Back by Adam Mansbach, Ways of Going Home by Alejandro Zambra, Scenes from Early Life by Philip Hensher, The River Swimmer: Novellas by Jim Harrison, Y by Marjorie Celona, Little Wolves by Thomas Maltman Love is a Canoe by Ben Schrank, Driver’s Education by Grant Ginder, and new from NYRB Classics is Testing the Current by William McPherson, with an introduction by D.T. Max. New in paperback are Gods Without Men by Hari Kunzru and The Lifeboat by Charlotte Rogan. There are many more new books to explore, of course, in our huge 2013 books preview, published this week.
“A book critic working today must contend with a world in which more diverse voices are heard and the traditional gatekeepers have less power to enforce conformity.” LitHub interviewed Kate Tuttle, the president of the National Book Critics Circle, about literary criticism. Read our own Emily St. John Mandel on bad reviews.
I’ve got another post up about Nadeem Aslam’s Maps for Lost Lovers at the LBC Blog. I’ve been going back and forth with Sam (of Golden Rule Jones), so check out his posts, too.Calvin Trillin talks turducken and other things Cajun in the most recent issue of National Geographic. The piece is typical Trillin, funny and featuring mouth-watering descriptions of various regional delicacies. (Much like the articles collected in a favorite book of mine, Trillin’s Feeding a Yen)Jim Crace discusses his Guardian column, The Digested Read, “The idea of rewriting a book in the style of the author in just 500 or so words is a gift to any satirist, and it remains the only outlet in the print media where publishers’ hype always gets treated with the irreverence it deserves.” A collection of the columns is out in EnglandThe CS Monitor takes a look at the self-publishing craze: “IUniverse, which prints several thousand books annually, reports submissions are up 17 percent in the first six months of this year.”A couple of new McSweeney’s offerings that you may or may not have seen already. Noisy Outlaws, Unfriendly Blobs, and Some Other Things… is anthology for young adults, edited by Lemony Snicket and with stories by Nick Hornby, John Scieszka and Neil Gaiman, among others. Meanwhile Issue #17 of their Quarterly Concern is also out. According to Amazon: “Issue 17 is not an ordinary issue of McSweeney’s. It is, however, an ordinary bundle of mail, stacked and rubber-banded, containing the usual items: a recent issue of Yeti Researcher, a sausage-basket catalog, a flyer for slashed prices on multi-user garments, a couple letters… the usual. Also: the debut of a DVD quarterly, featuring never-before-seen work by Spike Jonze and David O. Russell. Also: stories.”
“In the imposed rhythm of the day, there wasn’t the time to step back and appraise my ideas, to delete paragraphs, to question my identity. Whether or not I was a writer was temporarily immaterial, because I was writing.” Adam Dalva contemplates life at an artists’ residency. For more of his writing, check out his essay on Donna Tartt’s The Goldfinch for The Millions.