This year’s Man Booker International Prize goes to Han Kang’s “dark, cynical,” and vivid novel The Vegetarian, translated from the Korean by Deborah Smith. Also check out John Yargo’s Millions review of the novel.
Just released: the latest issue of DIAGRAM, which is consistently one of the most interesting magazines in publication. Coming soon: Hobart‘s 15th issue, which is focused on “Hotel Culture,” and will hit shelves in February/March. (Although you can preorder a copy now.)
Millions contributor Magdalena Edwards just published a piece on Norman Rush in The LA Review of Books. It includes the first published excerpt from his forthcoming novel Subtle Bodies, which will be released in 2013. Additionally, Rush will read in a rare appearance at the Hammer Museum in Westwood tomorrow.
On Thursday, the fiction writer Mo Yan won the Nobel Prize for Literature, which marks the first time a Chinese writer has won the prestigious award. Lauded for his command of “hallucinatory realism,” Yan (whose pen name translates to “not talking” in Mandarin) has drawn comparisons to Faulkner for the complexity of his fictional settings. Back in 2005, John Updike published his thoughts on the writer.
As you might expect, the literature of England is characterized by a fair amount of rain, but what’s interesting is that the Victorian era had the rainiest literature of all. In The Guardian, a look into the history of downpours and drizzles in English narratives. (via Arts and Letters Daily)