Was Virginia Woolf right that the Brontës were too isolated? Or were they just as housebound as their art required them to be? In the latest Atlantic, Judith Shulevitz examines the lives of the family, teasing out evidence that they all used loneliness to their benefit.
“Over the past thirty-five years alone, language from Frost’s poem has appeared in nearly two thousand news stories worldwide, which yields a rate of more than once a week. In addition, ‘The Road Not Taken’ appears as a title, subtitle, or chapter heading in more than four hundred books by authors other than Robert Frost, on subjects ranging from political theory to the impending zombie apocalypse.” David Orr writes for The Paris Review about Robert Frost’s “The Road Not Taken,” one of the most misread poems of the English language.
A new issue of The Quarterly Conversation has arrived, featuring an essay on Wizard of the Crow by QC creator Scott and a review of William T. Vollmann’s Poor People from Dave Munger. Lots of other good reviews in there too.Also via Scott, Political Theory Daily Review, a dense and daily collection of linksIn a Newsweek sidebar accompanying an excerpt of his book The American Religion, Harold Bloom names his “five most important books.” The most recent one to appear on the list? A tie, more or less, between Don Quixote and the complete works of Shakespeare. Bloom was also asked to admit to an important book he hadn’t read. His answer: “I cannot think of a major work I have not ingested.” That’s a lot of pages to store in one’s belly. (via Stephen)Good week for Mark Sarvas, first he announces that he’s sold his novel and now he’s off on his honeymoon. Filling in at TEV is Joshua Ferris, author of the much praised Then We Came to the End.And finally, a Baltimore Sun review had me intrigued by a new squirm-inducing non-fiction book by a former crime scene investigator for the Baltimore County police. Dana Kollmann’s book Never Suck a Dead Man’s Hand: Curious Adventures of a CSI gives a real-life look at a profession recently glamorized by TV show “CSI” and its many offshoots. Krall, however, describes a job both more boring and more odious than the one described on TV, but she does so with “dark humor,” which I’d imagine the job requires. The book’s title, for example, “comes from a story that involves a dead man, his hand and her attempts to get fingerprints on a freezing cold day.” Yikes.
“And that might be the best way to understand Erdrich’s artistic project: as a celebration of beauty and a testament to the redemptive power of art — which, of course, includes storytelling.” Rumaan Alam interviews Louise Erdrich about her illustrious writing career for Buzzfeed Reader. Erdrich’s newest novel Future Home of the Living God was featured in our November Preview.