At Louisiana Channel, Colm Tóibín discusses finding the perfect sentence to start your book. In honor of the Oscars, Bill Morris wrote about the adapted screenplay for Tóibín’s Brooklyn.
Finding the Words
True Story
Over at Granta, Melissa Febos writes about truth. As she puts it, "The true telling of our stories often requires the annihilation of other stories, the ones we build and carry through our lives because it is easier to preserve some mysteries."
Reclusive Reading
Emily Dickinson didn't get out much, so why should we have to in order to read her work? Her open access manuscripts, letters, and envelope scribbles are now available online in the Emily Dickinson Archive. But now there's controversy over who is the rightful owner of her manuscripts and who should shape the archives — Harvard or Amherst?
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The Yeti’s Back
Recommended Reading: Megan Garber on the resurrection of Skymall.
The Atlantic Remembers Mark Twain
Mark Twain's birthday was yesterday (176!), and The Atlantic took a moment to remember his gifts to the magazine, a relationship which began in 1869, and got Twain twice as much pay as other Atlantic contributors.
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Septuagenarian Akutagawa Prize Winner
Paging Sonya Chung and the rest of the Bloom gang: one of this year’s Akutagawa Prize winners is a seventy-five year old woman named Natsuko Kuroda. How’s that for a Post-40 Bloomer? (h/t Dustin Kurtz)
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The Book of the Dead
“Reading the Grateful Dead is not a history of the band; it is a study of the landscape they and their fans created, as surveyed from a caravan that crisscrossed the country, Europe, and even Egypt for roughly 2,300 shows over 30 years.” Dead Head Buzz Poole takes a look at “Grateful Dead studies.” (The song that turned him, it turns out, was ‘Scarlet Begonias.’)
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