Over at Broadly, MariNaomi talks about heritage and her graphic memoir, Turning Japanese. Pair with Mia Nakaji Monnier’s Millions interview with the author.
Cultural Confusion
Measuring Hell
“Given his devotion to empirical fact, it seems odd to think that Galileo’s most important ideas might have their roots not in the real world, but in a fictional one.” Galileo’s crucial contributions to physics may have come from measuring the hell of Dante’s Inferno.
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Convincing Reconstructions
“Rather than presenting a single, definitive story—an ostensibly objective chronicle of events—these books offer a past of competing perspectives, of multiple voices. They are not so much historical as archival: instead of giving us the imagined experience of an event, they offer the ambiguous traces that such events leave behind.” On the role of realist historical fictions.
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The Fellowship of the Round Table
Next May, HarperCollins will publish a never before seen J. R. R. Tolkein poem, entitled The Fall of Arthur and based on Arthurian legend, not Middle-earth.
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Portraits of BEA
Brandon Stanton, the man behind the candid portrait blog Humans of New York, takes on BookExpo America in The Humans of BEA, A Photo-Essay.
On the Stupidity of Entitlement
Year in Reading alumna Ottessa Moshfegh has a new story in this week’s issue of the New Yorker, titled “The Beach Boy.” Moshfegh also spoke with Deborah Treisman about her writing: “Isn’t it hilarious when people are blind to their own arrogance? For some, no amount of American liberal-arts education, charitable contributions, or hours spent listening to NPR will ever wake them up to their own privileged, bigoted, and classist attitudes. […] One might say that New Yorkers like the folks in ‘The Beach Boy’ are especially susceptible to the kind of stupidity I love to write about—the stupidity of entitlement.”
Smash the Gears
As evidenced by the amazing quiz “Jonathan Franzen Gripe or YouTube Comment about Saggy Pants,” a perception exists that the widely acclaimed writer is allergic to new technology. At Slate, Benjamin Nugent argues that Franzen’s new book, The Karl Kraus Project, proves inadvertently that Franzen is less of a Luddite than we think.
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