Over at Ploughshares, Daniel Peña traces a parallel between Maggie Nelson’s The Argonauts and Gloria Anzaldúa’s hybrid text Borderlands/La Frontera: The New Mestiza. As he puts it, “To separate Anzaldúa from the larger canon (and subsequently from those books she influenced) is to ignore her contribution to American literature. It’s to say she doesn’t belong in that kind of highbrow conversation, which she so obviously does—even Nelson acknowledges that she does.”
Two weeks ago, the Internet Gods (meaning: the Unicode 7.0 update) gave us hundreds of new emoji symbols, including the middle finger and peace dove. By now our emoji usage patterns can be used by psychologists to understand our minds. “People who use no noses tend to be tweeting more about… Justin Bieber. They have younger interests, younger concerns, whether or not they’re younger.”
“What I didn’t know then was that these decorations evolved from the Jewish menora, the Hebrew festival of lights. I don’t think my mother knew that either, but if she did she never mentioned it. And I certainly never contemplated the resemblance of a sleigh to a cradle. A sleigh is basically a very large cradle.” Mary Ruefle on Christmas trees.
Francis Ford Coppola’s movie adaptation of Jack Kerouac’s On The Road may finally see the light of day. The film, directed by Walter Salles and starring the likes of Viggo Mortensen, Amy Adams, and Steve Buscemi, could hit French theaters as early as March 23rd.