Over at Ploughshares, Daniel Peña traces a parallel between Maggie Nelson’s The Argonauts and Gloria Anzaldúa’s hybrid text Borderlands/La Frontera: The New Mestiza. As he puts it, “To separate Anzaldúa from the larger canon (and subsequently from those books she influenced) is to ignore her contribution to American literature. It’s to say she doesn’t belong in that kind of highbrow conversation, which she so obviously does—even Nelson acknowledges that she does.”
Code-Switching Patchworks
Fre-books
Nicholas Carr, author of The Shallows (which was a favorite of Jonathan Safran Foer), floats a new idea to publishers: give away your e-books for free!
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Can’t we just go with “grey” already?
The Likeness Man
“If you’re doing an assignment for some Luddite professor who insists on originality – and probably uses typewriter ribbon – keep in mind that I only offer phrases from hard-to-trace sources. Just today I was slipped some primo stuff from an English teacher in Simonton, Iowa who’s been advising the high school literary magazine for decades. This woman, her voice is as smooth as creamed corn.” Confessions of a metaphor merchant.
Not Ideal
"The most unfortunate / Thing about history / Is not pornos. No, it is how Americans / (And we were talking about men but may I take this opportunity / To be more inclusive, because inclusivity is in!) were once better than they are at present." In which an imagined David Brooks writes a sestina about misogyny. Here's a Millions piece in which the real-life Brooks is thought of not as a pariah, but as a harbinger of hope.
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Tuesday New Release Day: Newitz; O’Rourke; Kent; Peery; McDermott
Out this week: Autonomous by Annalee Newitz; Sun in Days by Meghan O'Rourke; The Good People by Hannah Kent; The Exact Nature of Our Wrongs by Janet Peery; and The Ninth Hour by Alice McDermott. For more on these and other new titles, go read our most recent book preview.
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Early Bafflings
Yet another open archive for your summer reading enjoyment: the Baffler ("the Journal that Blunts the Cutting Edge"), as part of a website redesign, has made available its entire back catalog of commentary and fiction. Might I suggest starting with this now-charmingly-antiquated piece on marketing to the youthful "hipster" generation? (The Paris Review has other suggestions. It's hard to go wrong.)
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