Over at Bloom check out this 3-part feature—a conversation and excerpts—on fiction writers-cum-memoirists Robin Black (If I Loved You I Would Tell You This, Life Drawing) and Natalie Serber (Shout Her Lovely Name)—former classmates at the Warren Wilson low-res MFA program, both later-life bloomers, and both “writing for their lives” in new memoirs.
Writing for Their Lives
In Transit
Over at Guernica, Liza St. James interviews Adam Z. Levy and Ashley Nelson Levy, the founders of the independent press Transit Books. As they put it, “We were noticing this kind of partition between two types of readerships: those who read domestic literature and those who read translation. […] We were interested in the separation of those literary spheres, and began to wonder how to bridge the gap between them.”
●
●
Writing as Advocacy
“There’s this sense of guilt that my writing career is going well because black people are being killed. I’ve reached a point where I don’t know if I have anything new to say. It’s the same narrative over and over.” Debut novelist Brit Bennett gets profiled for The New York Times about The Mothers, which we included in the list of October book releases we’re most excited about.
●
●
“Media hype and unusual advertisements”
The Los Angeles Review of Books interviewed Xujun Eberlein, a “China-born and now Boston-based” short story writer, essayist and blogger about recent literary happenings in her native country. The first question they asked has to do with Finnegans Wake, which is selling surprisingly well in Chinese bookstores.
Smith Wins Bailey’s
Ali Smith‘s How to Be Both has won the Bailey’s Prize for women’s fiction, placing her in the same ranks as Zadie Smith and Lionel Shriver. If you’re not too familiar with Smith’s work, Jonathan Russell Clark wrote about her for The Millions last year.
●
●
New Miranda July Work on the Way
Welcome news for Miranda July fans: she tweeted this week that she’s finished work on her debut novel, The First Bad Man. The book will publish in January 2015.
Vanishing on the Stage
Over at Entropy, Laura A. Warman writes about queer poetics and the politics of the body in poetry performances. As she puts it, “Can we be a body that is constantly obscured?” Pair with this Millions essay on poetry performances.
●
●
An Issue of Perspective
Sure, male journalists are generally not the best when it comes to writing about women, but things have gotten better in the last few years, right? Maybe not.
●
●
“More wrong than we’ve ever seen”
Recommended Reading: “Rabbit Starvation” by Alexandra Kleeman.