Out this week: Bardo or Not Bardo by Antoine Volodine; My Mrs. Brown by William Norwich; The Regional Office Is Under Attack! by Manuel Gonzales; Mount Pleasant by Patrice Nganang; The Houseguest by Kim Brooks; and Ear to the Ground by David L. Ulin and Paul Kolsby. For more on these and other new titles, go read our Great 2016 Book Preview.
M. Evelina Galang, author of Her Wild American Self and current director of the University of Miami’s MFA Creative Writing Program, is featured in the latest issue of Kartika Review, “a national Asian/Pacific Islander American literary arts journal.” You can read the entire Fall 2011 issue for free.
Do you need a pot of coffee before you dive into writing every day? You’re just procrastinating and making yourself less creative. Writer Merrill Markoe did the same thing until she discovered that working right after she wakes up leads to the best creative writing. “Words come pouring out easily while my head still feels as if it is full of ground fog, wrapped in flannel and gauze, and surrounded by a hive of humming, velvety sleep bees.”
“The way (Yeats) puts down a man’s head & a woman’s head side by side, or face to face, is terrifying, two irreducible singlenesses & the impassable immensity between.” The Paris Review has published a brief, fascinating letter written by Samuel Beckett to his aunt Cissie Sinclair containing an original poem and some positive criticism of the painter Jack B. Yeats. Top it off with this essay by Elizabeth Winkler about language, style, and translation–and how any of that might help to make sense of Beckett’s convoluted legacy.
Zadie Smith could write herself out of a Chinese takeout box, and that’s exactly what she does in her essay on the differences between British and American takeout culture, “Take It Or Leave It,” for The New Yorker. “I don’t think any nation should elevate service to the status of culture.”