Out this week: Alice & Oliver by Charles Bock; Our Young Man by Edmund White; Now and Again by Charlotte Rogan; Thomas Jefferson Dreams of Sally Hemings by Stephen O’Connor; and The Bricks That Built the Houses by Kate Tempest. For more on these and other new titles, go read our Great 2016 Book Preview.
Half-meme, half-myth, ‘Slender Man’ came to us from the same internet that brought LOLcat, doge, and Rule 34. After the surreal stabbing of a 12-year-old girl by two other children claiming they were acting on his behalf, this particular story has taken on a tragic resonance. In The Semiotic Review, Jeffrey Tolbert argues that Slender Man took hold because of the documentary nature of internet ‘evidence’. As one Something Awful blogger put it, “Even if we don’t really believe in [Slender Man], we are cutting him out and sewing him together. We’re stuffing him with nightmares and unspoken fears. And what happens when the pictures are no longer Photoshops?” Very meta–and very scary, all over again.
Murray Farish‘s debut collection, Inappropriate Behavior, includes tales of fictionalized or alternative history that incline toward the surreal. He discusses the “principally and unaccountably strange” with Evelyn Somers, who has written about his work before, at Bloom. Fancy yourself more weirdness? Head to Weird Fiction Review curated by Jeff VanderMeer, whose Southern Reach trilogy was just released in one volume.
In a long tradition of online experimentation, Amazon has now started including something called “Shopping-enabled Wikipedia Pages” in its internal search results (see the second result here). Now you can view a copy of Wikipedia pages for authors like David Foster Wallace, J.K. Rowling, Jonathan Franzen, and probably thousands of others. How can Amazon do this? Wikipedia pages are free for anyone to reuse for almost any purpose, so long as the license info is displayed. Why is Amazon doing this? It wants free content that it can monetize.