At The Atlantic, Sara Polsky wonders if library cards are dying and discusses their history and evolution. Pair with this Millions essay on private libraries and what books reveal about their readers.
The Body in the Library
Tuesday New Release Day: Grossman, Baker, Dyer, Pierre, Wilson, Mukherjee, Grossman
In a big week for new releases, we have Lev Grossman’s The Magician King, the sequel to his blockbuster debut The Magicians; Nicholson Baker’s House of Holes, reviewed here today; another new Geoff Dyer book, The Missing of the Somme; DBC Pierre’s Lights Out in Wonderland; and Kevin Wilson’s debut novel The Family Fang (which one blurber calls The Royal Tenenbaums meets Who’s Afraid of Virginia Woolf). Four of the five books above, incidentally, were featured in our big second-half preview. And out in a paperback this week are a pair of award winners: Siddhartha Mukherjee’s The Emperor of All Maladies and David Grossman’s To the End of the Land.
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“All dialogue? Really?”
Seeing as the latest Dave Eggers book consists of all dialogue, it’s a good time to look back on the history of all-dialogue novels. Alexander Kalamaroff, writing for The Rumpus, identifies a few examples, among them The Waves by Virginia Woolf and numerous works in Sixty Stories by Donald Barthelme.
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New Murakami in the Pipeline
It’s being reported that Haruki Murakami will have a new novel out in Japan in April, though, based on prior publication schedules, it will likely be quite a bit longer before an English translation is published.
Risen
In Ireland, Easter is a holiday with great historical significance, thanks to the eponymous uprising that took place in Dublin in 1916. W.B. Yeats lived a short distance away from the spot where the uprising began. Compelled to write about the event, Yeats produced one of his most famous poems, the genius of which is analyzed here by Brett Beasleyin. You could also read Matt Kavanagh on Irish financial fiction after 2008.
“The void was me.”
Recommended Reading: an excerpt from Amber Sparks and Robert Kloss’s The Desert Places.
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Don’t Just Stand There
Choire Sicha discusses the use of the phrase “from the sidelines.” (h/t The Awl)
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