Recommended Reading: Rob Spillman, editor of Tin House, speaks with the LA Times about his new memoir, All Tomorrow’s Parties. Spillman was featured in our piece on literary editors’ favorite issues of their magazines.
Spillman’s Memoir
A Short History of the Executioner
In her short history of executioners, Stassa Edwards notes that the decision to replace “the traditional punishment” of drowning people “in a sack in a local river” was actually quite pragmatic: it was “more economical” to go with a simple beheading.
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Modern Anxiety
“I think dystopian novels are really about present anxiety, aren’t they?” Chang-rae Lee said in an interview for the Daily Beast’s “How I Write” series. His dystopian novel, On Such a Full Sea, was part of our 2014 book preview.
Atwood Adapted
Netflix and Hulu are set to adapt Margaret Atwood’s novels Alias Grace and The Handmaid’s Tale, respectively. Check out our own Edan Lepucki’s piece on Atwood’s vision of the future.
“The ringing, defiant poetry of Adrienne Rich.”
The New Yorker has made six poems that Adrienne Rich published in the magazine available online.
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Novel-Gazers
According to a survey published in PLoS One between 1960 and 2008 there has been a steady increase in the use of words and phrases that emphasize self-absorption in books. This leads researchers to conclude that we’re growing more narcissistic.
Make Fascism Great Again
“There’s still time to look something else up.” Merriam-Webster pleads with word lovers to prevent “fascism” from becoming its word of the year, The Guardian reports. See also: this Lithub piece about the social media genius behind M-W‘s Twitter feed.