Recommended Reading: Rob Spillman, editor of Tin House, speaks with the LA Times about his new memoir, All Tomorrow’s Parties. Spillman was featured in our piece on literary editors’ favorite issues of their magazines.
Spillman’s Memoir
Who Tells Your Story
“A couple of years ago I attended a British Council discussion about the state of contemporary writing and the creative future in Nigeria, Africa’s most populous nation. When someone brought up the dearth of memoirs in the Nigerian literary landscape, almost everyone in the room laughed ruefully. Someone joked aloud, ‘We can’t write memoirs. We’d have to wait for parents to die. Not just parents – everyone who knows us, even!’ This concern is not limited to nonfiction.” Bim Adewunmi writes for BuzzFeed on African immigrants’ stories.
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St. Mark’s Cash Mob
New Yorkers! At 3:00 today, come join The St. Mark’s Cash Mob and help the iconic bookshop relocate to the East Village. High rollers can even get a prize from The Paris Review.
Cohen’s New Old Ideas
Leonard Cohen’s new album Old Ideas is getting glowing reviews. Slate says of Cohen, “When it comes to lyrics, he’s second to no one—including Dylan.”
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Love and Rockets, Once More
Jaime Hernandez speaks to Carolina A. Miranda about revisiting old characters, punk music, Latinx stereotypes, and his characters' origin stories.
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This Writing Life
“I thought there were would be more in this writing life, an easier path to walk. I write those words and know they are the unwise thoughts of my younger self and that I am still too stubborn to give up on my dreams. When Annie Dillard invited me outside for that smoke, she knew very well what it would mean to a young writer like me. She intuited my ambitions and it was her way of encouraging me.” This essay is ostensibly about smoking cigarettes and playing catch with Annie Dillard, but it’s also about the incredibly important role that an established writer can play in helping a struggling up-and-comer.
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