Recommended Listening: David Naimon interviews Year in Reading alumnus Brian Evenson about his A Collapse of Horses, literary horror, and philosophy.
Reporting from Collapse
On the True Grit Trail
If the first paragraph – and really, the entirety – of Jay Jennings’s piece about retracing the True Grit trail doesn’t make you want to drop what you’re doing and hit the road, then you and I are fundamentally different human beings.
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A Culture of Optimism
Reflecting on the sales figures of Lean In and How to Win Friends and Influence People, Sarah L. Corteau wonders: could it be that self-help is America's quintessential genre? (You could also read Alan Levinowitz on the paradox of Christian self-help books.)
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The Invention of the Emoticon :(
If you thought the English language went downhill when the emoticon was introduced, you can blame a 17th-century poet. Editor Levi Stahl found that English poet Robert Herrick used the first emoticon in his 1648 poem "To Fortune." As Herrick writes, "Tumble me down, and I will sit/ Upon my ruines (smiling yet :)" For more on the potential ruin of language, read Fiona Maazel's piece on commercial grammar.
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Odd Bits
Pig-blood-flavored ice cream and Crispy Testicles anyone? Jennifer McLagan, Australian-born, Toronto-based author-chef, teaches us how to cook the rest of the animal in her new book, Odd Bits.
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Beat Ball
"Playing 'Baseball' With Jack Kerouac" (via) (Thanks, Derek)
Anxiety or Discipline?
Recommended Viewing: This installment of The Paris Review's "My First Time" series, in which poet Ben Lerner remembers "working under the sign of crisis" and attempting to find a publisher for his first book, The Lichtenberg Figures. A couple of Lerner-related pieces from The Millions: a review of his newest novel, 10:04, and a Year in Reading from back in 2014.
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“I noticed a few stains”
“This is minor, but I noticed a few typos. For instance, at various points on pages 144 through 148 and also on page 202, you wrote, ‘All wokr and no play makes Jack a dull boy.’ And on page 308, it’s ‘All work and no play makes Jack a dull Jack.’ If that one’s intentional, it provides a nice break from the preceding 307 pages, and the levity is a nice contrast to the monotony.” Notes on a Jack Torrance manuscript.
Home Is Where the Story Begins
“Is the reason to have a home, as the narrator in Jenny Offill's Dept. of Speculation, asserts, ‘to keep certain people in and everyone else out’? Or does home, as the narrator in William Maxwell's autobiographical novel So Long, See You Tomorrow suggests, work primarily as a scaffolding of known things — as a place to read, a place to stash the damp umbrella, a place to listen to the porch swing creak?” Beth Kephart on the literary significance of home.