Recommended Listening: David Naimon interviews Year in Reading alumnus Brian Evenson about his A Collapse of Horses, literary horror, and philosophy.
Reporting from Collapse
Redefining Speculative Fiction
“In a genre that has long been dominated by white men and Western mythological tropes, Ms. Okorafor’s stories, which feature young black girls in starring roles as superheroes and saviors of humanity, have been hailed as groundbreaking.” The New York Times shines a spotlight on Nnedi Okorafor and other African American science fiction and fantasy writers building on -and popularizing-a tradition of African and African American folklore in the sci fi and fantasy genre.
Hungry for Something New
Hari Kunzru wonders whether the recent surge of attention for Hungarian novelist László Krasznahorkai makes him the latest talisman for the young New York literary elite. Regardless, it’s worth revisiting Paul Morton’s interview with Krasznahorkai and Adam Z. Levy’s review of his latest novel, Sátántangó.
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Thrill Ride
Stephen King’s next book is a thriller set in a Midwestern town suffering from unemployment. Before this sounds a little too close to home, the synopsis reveals it’s about a retired cop trying to stop a mass murderer. Mr. Mercedes will be out June 3rd. Pair with: Our own Lydia Kiesling’s essay on her love of King novels.
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Going Back Up There
It’s not every day that fans of a novel look forward to a Lifetime movie, but such is the case for fans of Flowers in the Attic, whose 1987 film adaptation left out many of the details that made the book a “rite of passage for teenage girls in the ‘80s.” At Slate, Tammy Oler delves into the book’s importance and its history on the screen.
Joan
Sara Davidson’s Joan: Forty Years of Life, Loss, and Friendship with Joan Didion is an intimate portrait of one of America’s most revered and private writers.
Can’t Get Enough LeBeouf
Shia LeBeouf’s written and illustrated a book of poetry entitled Let’s Fucking Party, and you can check out a review of it over at Panels on Pages. How do you think this project compares with, say, James Franco’s Palo Alto?