“You could call Zero K a grand summation of DeLillo’s career themes and prose stylings. You could also call it recycling.” Tony Tulathimutte reviews Don DeLillo’s “techno-prophetic novel,” Zero K. To revisit DeLillo’s prior work, check out David Rice’s review of The Angel Esmeralda.
In The Atlantic, Johnathan A. Knee writes about how curation and aggregation can be more profitable than content creation. That is the idea behind BookLamp, a new search engine based on books' content and writing style, not sales data. “At times, being able to ignore the marketing data can be good for the recommendation,” explains CEO Aaron Stanton.
Out this week: Fates and Furies by Lauren Groff; The Blue Guitar by John Banville; Undermajordomo Minor by Patrick DeWitt; Sweet Caress by William Boyd; The Double Life of Liliane by Lily Tuck; The Marvels by Brian Selznick; Scrapper by Matt Bell; and The Story of My Teeth by Valeria Luiselli. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
Here’s a thing you’ve probably never thought of before: the sheer weirdness of some of the Christmas rituals in many canonical children’s books. In The Irish Times, Rosita Boland catalogues a few of the stranger ones, including Laura Ingalls Wilder’s Christmas dinner in summer and Lucy’s gift of a dagger in The Lion, The Witch and The Wardrobe.
"There are so many ways to look at translation. One that has recently occurred to me is that of a tether: the translator is tethered to the meaning of the original the way an animal can be tethered to a stake. You can’t take off and roam the hills, but you can definitely move around and experience a comfortable degree of freedom." Asymptote talks with Juliet Winters Carpenter about Japanese tanka poetry, Machi Tawara's Salad Anniversary, and the careful balance of translation.
Chris (Simpsons Artist) will be publishing a book on positivity. Check out a few scenes from it in The Guardian. He has advice for how to handle everything from depression to hair nits. For more graphic art, we review the twenty-fifth anniversary edition of Drawn and Quarterly.