“You could call Zero K a grand summation of DeLillo’s career themes and prose stylings. You could also call it recycling.” Tony Tulathimutte reviews Don DeLillo’s “techno-prophetic novel,” Zero K. To revisit DeLillo’s prior work, check out David Rice’s review of The Angel Esmeralda.
Although children's earliest memories often don't stay with them, as this new article on Aeon describes, babies form emotional connections and intellectual attitudes that last the rest of their lives. So read to your newborn, according to Jason Boog (Born Reading), even if she doesn't yet know the words.
The Walter Scott prize did an analysis of prize submissions since its eight years of existence-with 650 novels submitted-and found that "38% of its submissions were set in the 20th century, while 19% were set in the Victorian era, between 1837 and 1901." They also found many of the submissions focus on World Wars II and II and that the number of women historical fiction writers submitting their work has gone up."The [Walter Scott] Prize celebrates quality, innovation and longevity of writing in the English language, and is open to books first published in the previous year in the UK, Ireland or the Commonwealth," the breakdown is fascinating.
Writing a novel is an all-consuming project, so can you imagine not telling anyone? At The New York Times, Alice Mattison discusses keeping her novels secrets until at least the third draft. "If I talk about the book, I believe — I cannot help believing — my characters will be angry, and will no longer confide in me about their embarrassing, troubled lives." On another side of the secrecy spectrum, Emma Straub writes about what it's like to keep a personal secret even as her literary life was booming.