“I sensed myself hurtling into the reality of the film, and leaving my own behind.” Esme Weijun Wang writes on the slippage of reality in films and schizoaffective disorder.
It’s been a good year for Alfred Hitchcock, what with Vertigo beating out Citizen Kane in the once-a-decade Greatest Movie of All Time poll conducted by Sight and Sound. At Full-Stop, Rachel Baron Singer takes a look at Hitchcock and The Girl, both of which examine “the dark side” of Hitchcock’s genius.
Out this week: City of Secrets by Stewart O'Nan; Ladivine by Marie NDiaye; These Heroic, Happy Dead by Luke Mogelson; The Adventurist by J. Bradford Hipps; and Whosoever Has Let a Minotaur Enter Them by Emily Carr. For more on these and other new titles, go read our Great 2016 Book Preview.
"What do these two books have in common?...Open each cover and you will only find similarities: They are the same book." For The Globe and Mail, our own Claire Cameron writes about one book being marketed with two different covers and titles to appeal to different audiences. Pair with: an essay about book covers featuring headless, backless women, and another on the beauty of typewritten book covers.