“How had no one ever told me about (Othello‘s) Emilia, who, in only a couple of lines, brings down one of the most conniving, merciless villains in all of Western literature? How had no one told me about this fantastic female character who defies not one but two sword-wielding men in order to make sure Desdemona, her mistress and friend, receives justice? I wanted to rip up my diploma. I wanted to start over as a freshman and devote my entire undergraduate career to the Gospel of Emilia.” On Othello’s Emilia and her refusal to be silenced.
Out this week is a highly touted seafaring debut We the Drowned. This book in translation is by Danish writer Carsten Jensen. Another debut effort arriving this week is Open City by Teju Cole, which PW likened to Coetzee, Sebald, and Nicholson Baker. Out in paperback today are Adam Haslett’s Union Atlantic and controversial Millions Hall of Famer Reality Hunger by David Shields.
It’s been a good year for Alfred Hitchcock, what with Vertigo beating out Citizen Kane in the once-a-decade Greatest Movie of All Time poll conducted by Sight and Sound. At Full-Stop, Rachel Baron Singer takes a look at Hitchcock and The Girl, both of which examine “the dark side” of Hitchcock’s genius.
“…its woman-centredness also hints at feminism’s dirty secret: that feminists might be feminists because they are supremely interested in themselves, even if that interest is in the shape of self-doubt. While Sheila says that it’s great to be a woman because what a female genius should be hasn’t yet been established, that is also the problem of being a woman.” The London Review of Books addresses the problems of Sheila Heti’s How Should A Person Be?. For another perspective, don’t miss our interview with Heti.