“How had no one ever told me about (Othello‘s) Emilia, who, in only a couple of lines, brings down one of the most conniving, merciless villains in all of Western literature? How had no one told me about this fantastic female character who defies not one but two sword-wielding men in order to make sure Desdemona, her mistress and friend, receives justice? I wanted to rip up my diploma. I wanted to start over as a freshman and devote my entire undergraduate career to the Gospel of Emilia.” On Othello’s Emilia and her refusal to be silenced.
Okay, so earlier this week I mentioned Emily Nussbaum‘s excellent profile of Lena Dunham for New York Magazine. Now Lorrie Moore‘s written one too, for The New Yorker blog. The short piece, as you might imagine, is a near perfect meeting of author and subject; who could be better at writing about Girls?
“The call isn’t for a literature to, as Ta-Nehisi Coates has described, stop people from hitting us. […] But for a multiplicity of presence. A mingling, if not an acceptance, of a duality of presence. The right to be average. For the black guys in our literary fiction, if nowhere else, to be given the benefit of the doubt.” Over at the Ploughshares blog, Bryan Washington makes a case for inclusion in literary fiction.