If you’ve been on the Internet in the past week, you’ve probably heard about Beyoncé’s incredible new record, Lemonade. Noah Friedman at Wordshop 101 explains why Lemonade is great press for poets (particularly Warsan Shire, who is featured in the film). Andrew Kay writes on how reading poetry aloud connects us with the dead.
“In one of his last columns, published in March 1966, Flann O’Brien looked back on his catechism, compiled more than twenty years earlier, and described it as ‘an exegetic survey of the English language in its extremity of logo-daedalate poliomyelitis, anaemic prostration and the paralysis of incoherence.’ One month after writing that, he was dead, and yet within a year a remarkable renaissance was taking place, with the long-delayed publication of his great comic fantasy The Third Policeman and, soon afterwards, the first of many anthologies of the ‘Cruiskeen Lawn’ columns, this one entitled The Best of Myles.” (Related: our own Mark O’Connell on the humor in O’Brien’s work.)
Recommended Reading: Anne Barngrover’s poem “My Lover Vows to Follow Me Even after He Leaves Me” at Paper Darts. “If trust is to hem your promises/into my jacket lining like folded dollars during/an ice storm, then I have been trusting all my life.”