“I will tell them one of the greatest, perhaps the greatest story of all — the story of good and evil, of strength and weakness, of love and hate, of beauty and ugliness. I shall try to demonstrate to them how these doubles are inseparable — how neither can exist without the other and how out of their groupings creativeness is born.” John Steinbeck, American literary titan and author of The Grapes of Wrath, certainly knew a thing or two about creativity.
Nobody likes to be critiqued. Lucas Gardener at The New Yorker would really like to assure all of his concerned Creative Writing workshop classmates that his most recent submission, “Creative Writing Beatdown,” is entirely fictional and has no basis in reality. Really.
December 15th. New York City. Mark your calendars. John Jeremiah Sullivan and Wells Tower discuss “the art of the essay in light of Sullivan’s new book, Pulphead.”
“The peace may be holding, but the process is faltering,” writes Colum McCann, forty years after the Dublin/Monaghan bombings, in his evaluation of Ireland’s present relationship with the “Troubles.” “It is, of course, naïve to expect total reconciliation,” he continues. “Some grievances are so deep that the people who suffered them will never be satisfied. But the point is not satisfaction — the point is that the present is superior to the past, and it has to be cultivated as such.”