A V.I.G. (very important garment) will be making its way to the U.S. this August. Pride and Prejudice fans can now see the shirt Colin Firth wore as Mr. Darcy in the exhibition “Will & Jane: Shakespeare, Austen, and the Cult of Celebrity.” We rewrote the title of Pride and Prejudice and other books as clickbait. You should definitely read it.
V. I. G.
The Singer’s Gun on the Indie Next Highlights List
Congratulations to our very own Emily St. John Mandel, whose second novel, The Singer’s Gun, is included, along with 19 other books, in the 2010 Indie Next List Highlights. Jason Hafer of Wolfgang Books says: “The Singer’s Gun is a taut, restrained book with a quick hook and a long pull. It is a moving and mysterious work, wholly authentic.”
Who Gets to Review?
“The best critics do more than explain why they liked or didn’t like a book; they try to understand books, and show other readers, by example, how to read and think about those books. Specialized expertise can work in service of that goal, but is probably not as important as a willingness to attempt to be a work’s most thoughtful reader.” Elisa Gabbert writes for Electric Literature about who gets to translate and review works and takes Kazuo Ishiguro‘s latest novel, The Buried Giant (which we reviewed here), as a case study.
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For What It’s Worth
Oh, good! Here is a list of what everyone is reading instead of your 10-year peer-reviewed study on bee colony collapse and the near end of human existence.
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Extras
Zadie Smith’s On Beauty takes home the Orange Prize.Map of the New Yorker caption contest winners. (via emdashes)Abebooks has put together some special pages celebrating its 10th anniversary. Check out Powers of 10 – which includes the list of most expensive books ever sold on the site – and the timeline, which shows what the site looked like at its humble beginnings. (thanks Laurie.)
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Dear Colon
On the heels of all this talk of colons, Emdashes solicits open letters to punctuation marks.
Stumped and Delighted
This fantastic essay from The Rumpus argues for the abandonment of realism in American fiction. Charles Finch wrote an essay for The Millions on the truce between realism and fabulism in Gabriel Garcia Marquez’s One Hundred Years of Solitude that pairs quite nicely.
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