New this week: The Year of the Runaways by Sunjeev Sahota; The Little Red Chairs by Edna O’Brien; Chicago by Brian Doyle; The Destroyer in the Glass by Noah Warren; Dothead by Amit Majmudar; Grateful Dead’s Workingman’s Dead by Millions contributor Buzz Poole; and New and Collected Poems: 1975-2015 by Jay Parini. For more on these and other new titles, go read our Great 2016 Book Preview.
Recommended RSS-ing: A better word of the day from artist Tory Hoke, who pairs each unusual word with a hand-drawn comic. Friday’s entry, “spurcitious,” is charmingly defined in relation to a thumb and a hammer. Hate pictures? Other tried-and-true options include curators at Merriam-Webster, The New York Times, and this guy on Twitter.
The Paris Review profiles the Grolier Poetry Book Shop, located in Cambridge, MA and one of two all-poetry book stores in the nation. And speaking of bookstores – if you’re visiting Boston for AWP 2013, Ploughshares has got a whole list of literary landmarks for you to explore.
This week the Paris Review launched a new online series, Big, Bent Ears, a “Serial in Documentary Uncertainty” masterminded by Sam Stephenson and Ivan Weiss. Each installation features “a combination of video, audio, photography, and writing in various arrangements and states of completion,” and the first chapter overlaps Joseph Mitchell and the Big Ears Music Festival even though “the two projects seem to share little: one concerns a wordsmith, a chronicler, and preserver of fading traditions; the other, musicians challenging tradition and musical forms on a sometimes radical basis.”
“What does it even mean to say that I am experiencing my life in a jumpy, random sort of manner? Each instant of my experience is the experience, whatever its temporal relation to other experiences. So long as the memories are consistent, what meaning can be attached to the claim that my life happens in a jumbled sequence?” Physicist Paul Davies on why you can’t remember your future.