New this week: The Year of the Runaways by Sunjeev Sahota; The Little Red Chairs by Edna O’Brien; Chicago by Brian Doyle; The Destroyer in the Glass by Noah Warren; Dothead by Amit Majmudar; Grateful Dead’s Workingman’s Dead by Millions contributor Buzz Poole; and New and Collected Poems: 1975-2015 by Jay Parini. For more on these and other new titles, go read our Great 2016 Book Preview.
Tuesday New Release Day: Sahota; O’Brien; Doyle; Warren; Majmudar; Poole; Parini
The Wright Kind of Mess
In her review of Joe Wright’s cinematic adaptation for Leo Tolstoy’s Anna Karenina, Amanda Shubert writes, “Anna Karenina (2012) is, in fact, a mess. But it’s the kind of mess probably only Wright could make.” She goes on to look at how Wright has adapted work by Jane Austen and Ian McEwan, and how he has continued to face the problem of representing literary style (and form) on the screen.
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Tuesday New Release Day: Harrison; Heidegger; Molina; Hornby; Newlyn
Out this week: Brown Dog by Jim Harrison; a new paperback edition of Heidegger’s Poetry, Language, Thought; In the Night of Time by Antonio Muñoz Molina; a collection of Nick Hornby’s Believer columns; and a new biography of William and Dorothy Wordsworth.
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Interview with David Bajo
An interview with the author David Bajo, on his new novel Panopticon: “I’ve always been fascinated by the idea of privacy, especially how our society constantly seeks ways to invade it technologically, how we consistently undermine it by happily participating in digital omniscience, yet how we are outraged by the pain that technology and that desire sometimes cause.”
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Graveless Dolls
Still working on your costume for Halloween this year? Check out these recommendations from Electric Literature for some hilarious costumes based on some really great short stories.
RIP William Gay
I am very sad to report that William Gay, whom we featured in our “Post-40 Bloomers” series last fall, died on Friday, at the age of 68. From Clarksville Online: “At first, I would send a story to the New Yorker and when it came back, I’d send it to The Atlantic, or Harper’s or Esquire. I didn’t know about the college literary magazines but when I found out about them, I started getting published. After I finally got published in the Georgia Review, I got a call from the editor at The Atlantic. He asked why I wasn’t sending them something because they’d like to publish my work. I told him I’d been sending things for years. He said they never got to his desk. I had to wonder what kind of operation they were running.” Look for his final novel The Lost Country, hopefully coming soon.
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