Out this week: The Throwback Special by Chris Bachelder; Burning Down the House by Jane Mendelsohn; Stork Mountain by Miroslav Penkov; Shelter by Jung Yun; Margaret the First by Danielle Dutton; and The North Water by Ian McGuire. For more on these and other new titles, go read our Great 2016 Book Preview.
“I saw a novel with a mysterious-looking black woman on the cover. That was why I picked it up – because of the African woman on the cover of a book in the Science Fiction and Fantasy section. I read the first page and my eyes nearly popped out.” Book Riot has a killer roundup of posts in honor of Octavia Butler‘s birthday today, including five other sci-fi authors on being inspired by her writing (that’s Nnedi Okorafor above). Pair with our own Edan Lepucki‘s consideration of Butler’s novel Kindred.
“If what a bookstore offers matters to you, then shop at a bookstore. If you feel that the experience of reading a book is valuable, then read the book. This is how we change the world: we grab hold of it. We change ourselves.” April 30th is Independent Bookstore Day. Celebrate early with a revisit to this 2012 essay by Ann Patchett on the resilience of the indie bookstore. Here’s an interview with Janet Geddis, founder of Avid Bookshop in Athens, GA, on deciding to become a bookseller.
In 2013, only 93 of 3,200 children’s books were about black characters, according to a new study. “Children of color remain outside the boundaries of imagination,” Christopher Myers writes about the absence. In a follow-up piece, his father and fellow author Walter Dean Myers examines the paralyzing effect under-representation can have on readers. “Books did not become my enemies. They were more like friends with whom I no longer felt comfortable. I stopped reading,” he writes.
“What did Shakespeare’s English sound like to Shakespeare?” A father and son team are working to answer this question, recover Shakespeare’s original pronunciation and perform his plays in the new-old style, and lest this sound like a silly exercise in scholarship consider that “two-thirds of Shakespeare’s sonnets…. have rhymes that only work in [Old Pronunciation].”