For the New Yorker, Morgan Jerkins reviews Helen Oyeyemi’s What Is Not Yours Is Not Yours and considers what keeping a diary means for “a black woman in a white world.”
The Secret Space of Diaries
A real life Moby-Dick
Moby-Dick is a quintessential Great American Novel, perhaps even the greatest, but it might not be pure fiction. That’s what George Dobbs argues in a piece on “The Real Life Inspirations Behind Moby-Dick” for The Airship. Invention or not, at least we can be thankful no cannibalism sneaked its way onto the Pequod…
The Internet v. Writing
It’s hard to write when the internet beckons. So has said Dani Shapiro and our own Emily St. John Mandel. Colson Whitehead doesn’t necessarily agree, however. Ditto for our own Kevin Hartnett. Now the folks at Electric Literature have thrown in their two cents.
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The Literary Orphan
Over at The New Inquiry, Alison Kinney writes on narrative opportunity, the true function of the literary orphan, and the rage of the real orphan. This moving piece by Matthew Salesses for The Millions on adoption and searching for oneself in a strange place is a nice complement.
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Epic Fail Gets Epic Press
We’re thrilled by the early buzz surrounding Epic Fail, our first Millions Original eBook. You can learn more about the project courtesy of The New York Times, The Los Angeles Times and Teleread. Of course, you could learn even more about the project by purchasing a copy of the book.
Tuesday New Release Day: Grey, Clowes, Enright, Shin
The much discussed Fifty Shades of Grey arrives as a paperback today, though one wonders if readers will be as willing to read it if they must shed the privacy of the e-reader. Also out is the gorgeous retrospective, The Art of Daniel Clowes. The Forgotten Waltz by Anne Enright and MAN Asian Literary Prize winner Please Look After Mom by Kyung-Sook Shin are new in paperback.
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Lost Blake Etchings Uncovered
“Researchers at the University of Manchester’s John Rylands Library have stumbled upon a treasure trove of works by poet and artist William Blake.”
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No Guarantees At All
The Paris Review once referred to Roberto Calasso as “a literary institution of one.” Calasso stopped by The New York Times to answer a few questions about publication and Italy in anticipation of his forthcoming memoir, The Art of the Publisher.
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Now nothing beneath the bad smelling sky
The Lorax has been stolen from the Dr. Suess memorial sculpture garden.
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