BuzzFeed has launched READER, a new home for literary writing, featuring an essay by Melissa Broder, poetry by Jericho Brown, and a short story from Helen Oyeyemi’s What Is Not Yours Is Not Yours.
Reading Material
Elena Ferrante Revealed
Elena Ferrante has revealed her true identity. At McSweeney’s. You could also read this piece on Ferrante’s “encompassing vision of human experience.”
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To Save a Draft
“Save everything, she said. Everything. When your archive gets bought, they pay by the cubic foot.” Sarah Manguso in The New York Times about drafts in an era of digital writing. And while we’re on the subject , here’s what Ben Fountain, Emily St. John Mandel, Emma Straub and a passel of other writers have to say about writing that elusive first draft.
You’re Watching it Wrong!
“[From Russia With Love]’s lack of newness prevented connection with the audience. Scratch that. It wasn’t the film’s fault. It was the audience’s.”
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Marable’s Works Donated
The late Pulitzer-Prize winning historian Dr. Manning Marable “informed his family that one of his passing wishes was to make his work available to incarcerated individuals.” His collection of authored works has recently been donated by his family to Otisville Correctional Facility.
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Facebook’s Most Popular Titles
We’ve mentioned the “What books have stayed with you?” social media trend before, and now Facebook has tallied up the most popular titles by country. The results are both exactly what you would expect – The Little Prince ranks high in France, One Hundred Years of Solitude fairs well in Latin America – and a little surprising as the Harry Potter series tops the list in countries ranging from India to Italy to Brazil.
Literary Paper Dolls
What better way to celebrate pioneering women writers ranging from Edna St. Vincent Millay to Edith Wharton than with a collection of literary paper dolls?
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The Wildebeest
At Page-Turner, Daphne Merkin reads Catherine Lacey’s Nobody Is Ever Missing, which follows the journey of a disenchanted New Yorker as she hitchhikes her way through New Zealand. The novel, Merkin writes, features what Leslie Jamison, in her recent essay collection, termed a “post-wounded woman.”
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