BuzzFeed has launched READER, a new home for literary writing, featuring an essay by Melissa Broder, poetry by Jericho Brown, and a short story from Helen Oyeyemi’s What Is Not Yours Is Not Yours.
Reading Material
Pulp Saint
From The Atlantic comes the case for canonizing G.K. Chesterton, the "Catholic convert and an oracular man of letters, a pneumatic cultural presence, an aphorist with the production rate of a pulp novelist."
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Guilty As Charged
"Why do readers, those who are bereaved and those with happy families alike, love orphans?"
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Love Letter to Technology
The last book that Michelle Vider loved was our own Emily St. John Mandel’s Station Eleven, which was a finalist for the 2014 National Book Award. Claire Cameron’s interview with Mandel from The Millions is a nice complement.
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Whose Tale
"At first blush, bringing an eight-year-old to one of William Shakespeare’s quirkier plays in an effort to help her see herself, an Asian American girl, in popular culture did seem a rather odd decision." Nicole Chung for Hazlitt on The Winter's Tale, representation, and parenting in the age of Trump. And wouldn't you know it, we have a piece specifically about that very play – "three/fifths wintry tragedy, two/fifths vernal comedy, and wholly a masterwork" – right here.
The Broken Novel
Literary fiction is falling apart, but it might be for the best, Ted Gioia writes. In his essay, he explores the history of the fragmented novel (or the polyphonic novel as we've written about before) from Winesburg, Ohio to A Visit From the Goon Squad and fittingly, he does it in fragments.
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Show and Tell
In theory, the author of a great novel is invisible to the reader, letting her stories and characters speak for themselves. In practice, however, it can help for an author to make herself known, as explained by Tim Parks in this essay. Sample quote: “We have the impression that if someone ever did find the full story of his life, we would immediately recognize the person we had in mind.”
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