Is he a vandal? Is he a post-Situationist? Maybe the text-art Banksy? Who knows. One thing is for sure – Scottish poet Robert Montgomery is taking his poetry to the streets.
Forget the Dos Equis guy. John Fairfax was truly "the most interesting man in the world" and, if you don't believe me, read this series of lines from his actual obituary: "At 9, he settled a dispute with a pistol. At 13, he lit out for the Amazon jungle. At 20, he attempted suicide-by-jaguar. Afterward he was apprenticed to a pirate."
Nineteen intrepid RapGenius users set out to break down the “cultural clusterf*ck and middle finger to the stripped-down simplicity of the Imagists” otherwise known as T. S. Eliot’s poem “The Wasteland.”
Mark O'Connell's recent essay in these pages discussed how long, challenging novels can hold you captive (in both the good and bad senses of that phrase). Now, in the Times, Manohla Dargis and A.O. Scott come to the defense of "the slow and the boring" in film, responding Dan Kois's Times Magazine piece confessing he's "suffering from a kind of culture fatigue and have less interest in eating my cultural vegetables."
"I know the words for elk and water. There are other Shawnee nouns as dense as koans with metaphor and meaning, but they remain inscrutable to me." Poet Laura Da’ authors the most recent Rumpus Saturday essay, a stunning meditation on concessions made to both the body and the body politic. A member of the Eastern Shawnee Tribe of Oklahoma, Da’ is the author of Tributaries, a 2016 American Book Award winner. See also: our review of Philip Meyer’s latest novel, The Son.